Path to St. Peter ad Vincula-Part VI-B

Path to St. Peter ad Vincula-Part VI-B

Arrests, Interrogations and Confessions

“On May Day, suddenly “the kyng departed having not above vi. persons with him, and came in the evening from Grenewyche to his place at Westminster” (Hall 268). Anne was confined to her chamber. “Of this sodayn departynge many men mused, but moste chiefely the queen” (Hall 268). The “seconde daie of Maie, Mr. Norris and my Lorde of Rochforde were brought to the Towre of London as prisoners; and the same daie, about five of the clocke at night, the Queene Anne Bolleine was brought to the Towre of London” (Wriothesley 36). To clarify the prisoners and their Court positions–Henry Norris, Groom of the Stole; Sir Francis Weston, Privy Chamber member; William Brereton (also known as Bryerton), Privy Chamber member; and Mark Smeton (sometimes spelled Smeaton), a musician.
Francis_weston
Portrait believed to be Sir Francis Weston

The indictments were made for five men. It is contended that Norris, Weston and Bryerton could not escape punishment as Henry had “no intention, after the death of Anne, to effect a reconciliation with Rome, the three last named might have been allowed to escape; but if he wished to keep a middle course it was his interest to eliminate form the party of the reformation as many as possible of those who might drive it to extremes, and thereby force the government to lean to the other side” (Friedmann II 261-262). On a more personal level, the men may also try to avenge the wrongs against them and the Queen. It was better that they die.

“Besides the persons who were actually sent to prison, a good many others were bound under heavy fines to present themselves before Cromwell and the royal council. They were thus kept in suspense and fear, and could not exert themselves in favour of the accused” (Friedman II 261). Anne’s enemies “searched eagerly for evidence against her, and examined every one who seemed likely to know anything to her disadvantage. Sir William Fitzwilliam and Sir William Paulet, aided by Sir Edward Baynton, seemed to have distinguished themselves in this way at Greenwich, where Anne’s personal servants had remained” (Friedmann II 259). Thomas Wyatt probably was arrested to provide evidence, not to be condemned. When Cromwell discovered that he had not been in close communication with Anne for years, he wrote Sir Henry Wyatt “that the young man would be spared. It was decided, too, that Sir Richard Page, who was connected with the Fitzwilliams and the Russels should be allowed to escape” (Friedmann II 262).
Sir Henry Norris had been “in the King’s favour, and an offer was made him of his life, if he would confess his guilt, and accuse the Queen. But he generously rejected that unhandsome proposition, and said that in his conscience he thought her innocent of these things laid to her charge but whether she was or not, he would not accuse her of any thing, and he would die a thousand times rather than ruin an innocent person” (Ellis 65-66).

Mark Smeaton was the only man who was arrested who “confessed to inappropriate behavior toward the Queen” (Burnet 110-111). His confession was the only solid evidence that Cromwell had. It has been suggested that Smeaton was promised a pardon if he pled guilty and implicated Anne. There is speculation that he confessed under torture, an interrogation technique that would have been readily used against the commoner. Because he did not recant at the scaffold, there is a theory that, in the exchanges he had with Anne (which she talks about while in the Tower), he responded familiarly and his haughtiness earned him a rebuke. Perhaps realizing he was not going to be pardoned, Smeaton decided to gain revenge on Anne by confessing to adultery (Davies). If revenge was his motive, he was successful.

While at Greenwich Anne learned that Norris and Smeaton had been arrested. “Combining these facts with Henry’s growing coldness to herself, and his increasing affection for Jane Seymour, Anne began to fear that she would have to take the same way. She was absolutely without means of defence” (Friedmann II 252). Anne herself would try to put a positive spin on her situation and claim that “the most par of Yngland prays for me, and yf I dy you shall se the grettest punishment for me withyn thys vij yere that ever cam to Yngland,’ & then she syad I shall b ein heaven, for’ I have done mony gud dedys in my days…” (Cavendish 223-225). This was not the case. With Henry away at Westminster, she could not use her influence on him. Coupled with his physical distance, most courtiers went with him including not only her enemies but also her allies. Friedman implies that Anne’s brother, Lord Rochford, would use his talents to defend his sister in any way he could which explains his arrest. Her father “had always disapproved of his daughter’s bold and violent courses. There was, therefore, no reason to fear that he would try to defend her” (Friedmann II 254).
greenwich 1533
Greenwich Palace

Anne could not flee from her confinement at Greenwich as this would have proven unsafe to do if not impossible without resources and it would have been an admission of guilt (for whatever was her crime). The Queen was not left in the dark for long. On May 2, 1536, she was summoned before the council. Anne would later claim that she “was creuely handeled …. at Greweche with the kyngs counsel” (Cavendish 223-225). The Queen was interrogated and charged with treason and adultery. Protestations of innocence had no effect and she was arrested and told she would be taken to the Tower. “At two o’clock her barge was in readiness, and in broad daylight, exposed to the gaze of the populace who had assembled on the banks or in boats and barges, she was carried along the river to traitors’ gate” (Friedmann II 253).

Spanish Ambassador, Eustace Chapuys, was giddy when he wrote his official report on the day of Anne’s arrest that it was “still more wonderful to think of the sudden change from yesterday to today, and the manner of the departure from Greenwich” (Gairdner X 782). His exuberance was not masked when he said things had “come to pass much better than anybody could have believed, to the great disgrace [of the Concubine], who by the judgment of God has been brought in full daylight from Greenwich to the Tower of London, conducted by the duke of Norfolk, the two Chamberlains, of the realm and of the chamber, and only four women have been left to her. The report is that it is for adultery” (Gairdner X 782).

Conveyance to and Time in the Tower

Upon arriving at the Tower Anne exclaimed loudly, “I entered with more ceremony the last time I came” (Hume 64). She maintained her composure up to the time the gates were closed when she asked the Constable of the Tower, William Kingston, if he “was leading her to a dungeon” (Friedmann II 255). When he assured her he was taking her to the rooms she occupied before her coronation, “this somewhat relieved her distress. ‘It is too good for me,’ she exclaimed.” Then her nerve did falter when she came to the “court gate, entering in, she fell downe on her knees before the said lords, beseeching God to helpe her as she was not giltie of her accusement, and also desired the said lords to beseech the Kinges grace to be good unto her, and so they left her their prisoner” (Wriothesley 36).
byward tower
Byward Tower–the most likely entrance of Anne Boleyn into the Tower of London

Once in her apartments she made inquiries about her brother, she asked for the eucharist to be brought in to a room nearby so that she could pray, and she “began to assert her innocence of the crimes with which she was charged” (Freidmann II 256).

According to an anonymous Spanish report, when examined she professed her innocence and asserted that she knew what was the cause of her arrest. “I have never wronged the King, but I know well that he is tired of me, as he was before of the good lady Katharine.” She exclaimed that “the King has fallen in love, as I know, with Jane Seymour, and does not know how to get rid of me. Well, let him do as he likes, he will get nothing more out of me” (Hume 65). William Lancelot expressed Anne’s anguish in his poem. With no further hope, she would confess to nothing. “Riens ne confesse, et ne resiste fort Comme voulant presque estre délivre De vivre icy, pour aulz cieulz aller vivre; Et l’espoir tant en icelle surmonte, Que de la mort ne tient plus aucun compte” (Gairdner X 1036)

“Anne herself was not examined any further. At first orders had been issued that, except in the presence of Lady Kingston, she was to hold no communication with the four women deputed to serve her; but it was soon decided that this would neither be practicable nor expedient. So her attendants were allowed to talk with her, on condition that everything of any importance which she might say to them should be reported to the constable. In a state of hysterical excitement Anne was unable to weigh her words and to control her tongue” (Friedmann II 259). Sometimes “she laughed, and at other times she wept excessively; she was also devout and light by turns; and sometimes she stood upon her vindication, and at other times she confessed some indiscretions, which she afterwards denied” (Burnet 110).

“On the morning after her arrest she spoke of Noreys, and told Mrs. Cosyns, one of her attendants, of the conversation she had had with him. She then talked of Weston, whose indiscretion she seemed greatly to fear” (Friedmann II 259). This whole conversation (and those that ensued) was immediately reported to Kingston, who in his turn sent an account to Cromwell—several are reproduced below.

tower of london more contemp
A relatively contemporary image (circa 1553) of the Tower of London

“Thy sys to advertyse you upon my Lord of Norfolk and the kyngs counsell depart[inge] from the Towre I went before the queen in to hyr lodging, & [then she] sayd unto me, M. Kyngston, shall I go in to a dungyn? Now, madam, y[ou] shall go into your logyng that you lay in at your cornonacion. It ys to gu[de] for me, she sayd, Jesu, have mercy on me; and kneled downe wepyng a [great] pace, and in the same sorow fell in to agret lawyng, and she hathe done [so] mony tymes syns. And then she desyred me to move the Kyngs hynes that she [myght] have the sacrament in the closet by hyr chambr, that she my[ght pray] for mercy, for I am as clere from the company of man, as for s[yn, sayd she as I] am clere from you, and am the kyngs trew wedded wyf; and then sh[e sayd] M. Kyngston, do you know wher I am here, and I sayd, Nay, and then [she sayd] when saw you the kyng? And I sayd, I saw hym not syns I saw [him in] the Tylte yerde, and then M. K. I pray you to tell me wher my [Lord Roch]ford ys? And I told hyr I saw hum afore dyner in the cort. O [where ys] my set brod’er? I sayd I left hym at York place, and so I dyd. I [hear say, say]d she, that I shuld be accused with iij men; and I can say [no more but] nay, withyowt I shuld open my body; and there with opynd [her gown saying, O Nor]res, hast thow accused me, thow ar in the Towre with me, & [thou and I shal]l dy to gether: and, Marke, thou art here to. O my mother, [thou wilt dy] for sorrow, and meche lamented my lady of Worcet, for by ca[urse her child] dyd not store in hyr body, and my wyf sayd what shuld [be the cawse, she] sayd for the sorrow she toke for me: and then she sayd M. K[ingston, shall I dy] with yowt just; & I sayd, the porest sugett the kung [hath had justis, and] ther with she lawed. All thys sayings was yeter ny[ght]……. & thys moryng dyd talke with mestres Cousyns [and said that Nor]res dyd say on Sunday last unto the queens amn[er, that he wold sw]ere fro the queen that she was a gud woman. [And then sayd Mrs.} Cosyn, Madam, why shuld ther be hony seche maters [spoken of? Mary,] syad she, I had hym do so, for I asked hym why he [went not through with] hys maryage? And he made ansur he would tary [a time. Then said she, you’ loke for ded mens showys; for yf owth cam[e to the king but good,] you would loke to have me; and he sayd, yf he [should have any soch though,] he wold hys hed war of; and then she sayd, [she could undo him if she wold,] and ther with thay fell yowt. Bot [she said, she more feared Weston; for] on Wysson Twysday last [Westong told he]r that Nores cam more u[nto her chawmbre for her then….

Wher I was commanded to charge the gentlewomen that y gyf thaye atende apon the queen, that ys to say, Thay shuld have now commynycaseon with hyr, in lese my wyf ware present, and so I dyd hit, notwithstaundyng it canot be; for my lady Bolen and mestrys Cosyn lyes on the queens palet, and I and my wyf at the dore with yowt, so that thay most nedes talke that be without” (Cavendish 223-225).

Anne’s natural intelligence would have sparked in her the realization that anything she said or did in confinement would most likely be reported to the authorities. Yet, she could not keep her chaotic thoughts to herself and spoke of her previous encounters with the accused men. To which Kingston would add postscripts explaining her further revelations. He informed Cromwell that “syns the making of thys letter the queen spake of Weston that she had spoke to hym by cause he dyd love hyr kynswoman Mrs. Skelton and that she sayd he loved not hys wyf; and he made anser to hyr again that he loved won in hyr howse bettr than them bother; she asked him who is that? To which he answered that it ys your self; and then she defied hym” (Cavendish II 217-220).
Mary Shelton
Mary Shelton, attributed to Hans Holbein the Younger

Days later Kingston wrote to Cromwell concerning the discussion of Jane Boleyn, and Anne’s further encounters with Mark Smeaton and Thomas Wyatt.

“Quene said unto me that same nyght that the Kyng wyst what he dyd when he put such ij. abowt hyr as my lady Boleyn and Mestres Cofyn; for thay cowd tell her now thynge of my Lord her father, nor nothynge ellys, bot she defyed them alle. But then upon this my lady Boleyn sayd to hyr, Seche desyre as you have had to such tales hase browthe you to thys, and then sayd Mrs. Stoner, Mark [Smeaton] ys the worst cherysshe of hony an in the house, for he wayres yernes. She sayd that was because he was no gentelman; bot he wase never in my chamber but at Winchester, and there] she sent for hym to play on the virginals, for there my logynge was above the King’s for I never spake with hym syns bot upon Saterday before Mayday; and then I fond hym standyng in the ronde wyndo in my chambre of presens. And I asked why he wase so sad, and he ansured and sayd it was now mater; and then she sayd, You may not loke to have me speke to you as I shuld do to a nobulle man by cause you be aninferor person. No, no, madam, a loke sufficed me, and thus fare you welle. She hathe asked my wyf whether hony body makes thayr beddes, and my wyf ansured and sayd, Nay, I warant you; then she sayd thay myght make balettes well now, bot ther ys non bot . . . . . . de that can do it. Yese, sayd my wyf, Master Wyett by . . . . . . . sayd trew. . . . . . my Lorde my broder wille dy . . . ne I am sure thys was as . . . tt downe to dener thys day. Will’m Kyngston” (Gairdner X 798).

For references, please refer to the blog entry, Path to St. Peter ad Vincula-Part I

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Edward VI Coronation Procession

Edward VI Coronation Procession

The topic of this entry stemmed from a visit to Cowdray Park in the summer of 2012 which sparked my interest in the property (more on that in a future blog entry).  Sensing my fascination, my husband purchased a book for me as a gift titled, Cowdray: the history of a great English House …With illustrations, etc. by Julia Roundell.  While reading the book, there was a brief mention of Anthony Browne, 7th Viscount Montague giving permission for several of the murals that adorned the “parlour” to be copied.  Specific mention was of the one depicting the coronation of Edward VI.*  That triggered a connection to the painted screen of that very subject that was at Kentwell Castle—another property visited in the summer of 2012.  The quest began to discover whether they were one and the same.  I contacted Kentwell and heard from Patrick Phillips.  The emails are recreated below.

On 19 Dec 2012, at 18:23

I recently read a book about Cowdray by J. Roundell in which it was stated >that permission had been granted for an artist to duplicate the piece of art >of Edward VI coronation.  Was wondering if that was the basis for the >lovely screens at Kentwell.  Not sure if the Cowdray piece was a framed >art work or a mural but it did get me wondering. Any information would be >appreciated. Thank you.

Date: Wednesday, December 19, 2012, 10:12 PM

>Yes our screens came from Cowdray Park.Originally there were six early >murals in the main hall in Tudor Cowdray Park. The then owner of the >Hall allowed engravings of one of the six, namely the Coronation >Procession of Edward VI, to be engraved from tracings made by >S.H.Grimm and the engraving was published in 1788.  It is this engraving that you may find illustrated in books on Edward VI’s reign.
>Unfortunately,  Cowdray Park itself was destroyed by fire in 1793 and all >trace of the original murals was lost. These painted leather screens derive >from the engraving and (possibly) also the tracings. >Regards >PP

Talk about serendipity!  Not much more was needed to influence me to investigate the coronation procession of Edward VI and the other events associated with the celebrations.

 274

The coronation procession of Edward VI depicted on screens displayed at Kentwell.  Copies of the murals from Cowdray were reproduced luckily before fire destroyed the originals.

There are varied claims as to where Edward and Elizabeth were at the time their father’s death was announced to them.  Two things are consistently shown:  the children were together and their reaction was sorrowful. Hayward poetically relayed that “Never was sorrow more sweetly set forth, their faces seeming rather to beautify their sorrow, than their sorrow to cloud the beauty of their faces” (Tytler 17).

Although this blogger agrees that Edward was most likely at Hertford Castle and moved to Enfield where Elizabeth was staying, below is a sampling of accounts of the children’s whereabouts.

Linda Porter claims that Edward was living with Elizabeth at the time of Henry’s death at Hertford Castle and they both heard the news together three days after the king’s death.  The next day, February 1st, after the reading of the will to the Privy Council on 31 January, Edward VI returned to The Tower of London prior to his coronation” (Porter 278).

Sir James Mackintosh reported that the “young prince, who was at the royal mansion of Hatfield at the time of his father’s death, was brought thence in regal state, and proclaimed king of England.  His proclamation took place when he was nine years and about three months old” (Mackintosh 136).

Jasper Ridley says that Edward was taken from Hertford, the Lord Protector’s house, to Hatfield where Elizabeth was to tell them both at once.          hertford

Hertford Castle

Christopher Hibbert says that Edward was at Ashridge at the time and they thought it would be easier to tell him if he was with his sister so they took him to Enfield to break the news to the two of them in the Presence Chamber there (Hibbert 28).

Patrick Tytler confirms contemporary sources reporting that Edward Seymour and Anthony Brown (of Cowdray), went to Hertford to convey the boy to Enfield, “and there they first declared to him and the Lady Elizabeth the death of Henry their father” (Tytler 56).

David Starkey claims that Edward was at Hertford Castle when his uncle, Edward Seymour, arrived.  Instead of telling him of his father’s death, he was told he was going to London for his investiture as Prince of Wales and they would stop at Enfield where Elizabeth was staying.  They were told of their father’s death there” (Starkey 59).

  enfield

Drawing of Enfield Palace

In a letter to the Council on 30 January Edward Seymour relays, “We intend the King’s majesty shall be a-horse-back tomorrow by xi of the clock, so that by iii we trust his Grace shall be at the Tower…. “From Enwild [Enfield] this Sunday night, at xi of the clock” (Tytler 18).

Edward VI reveals in his diary that he and his sister Elizabeth learnt of their father Henry VIII’s death from his uncle Edward Seymour, Earl of Hertford, at Elizabeth’s Enfield residence on 30 January 1547 (Edward VI). His diary describes the grief experienced in London at the news of the death of Henry VIII but does not reveal his own feelings.  He describes the Privy Council’s choice of Edward Seymour as Protector and Governor of the King’s Person and mentions how his father’s officers broke their staffs and threw them into Henry’s grave at his burial.

It is difficult to tell from the diary if these are Edward’s own thoughts.  He may have written the diary at the urging of one of his tutors and the entries from 1547 – 1549 are simply a chronology of events that refers to Edward in the third person.  Many historians wonder if the entries were even completed by Edward. From March 1550 until November 1552, when it ends, it is more like a diary, with entries for individual days.

Historian James Mackintosh was less impressed with Edward’s scholarship as he proclaimed that his essays and letters, “might have been corrected or dictated by his preceptors” But he does acknowledge that “perhaps, somewhat brief and dry for so young an author; but the adoption of such a plan, and the accuracy with which it is written, bear marks of a pure taste and of a considerate mind” (Mackintosh 138).

edwarddiary

A page from the diary of Edward VI.  Below is a transcription of the entry.

After the death of King Henry th’eight his son Edward prince of Wales was come to at Hartford by th’erle of Hartford and S[ir] Anthony Brown Master of t’horse for whom befor was made great preparation that he might be created Prince of Wales, and after ward was brought to Enfield whear the death of his Father was first shewed him, and the same day the death of his father was shewed in London, wher was great lamentation and weping and sodenly he proclaimed King. The next day, being the _ of _ he was brought to the Towre of London whear he taried the space of three wikes… (Edward VI).  Those three weeks were spent in preparation for Henry VII’s funeral and Edward’s coronation. 57197_764549

Henry VIII, Edward VI and Elizabeth Regina, 1597, Art Institute of Chicago  The procession left the Tower of London for the Palace of Westminster about one o’clock in the afternoon of 19 February.  This was the chance for his subjects to see the new king. Edward was on horseback dressed in a gown of gold cloth with a sable-lined cloak. The clothing he wore underneath was embellished with “rubies, diamonds, and pearls arranged in lovers’ knots” (Loach 32).

Along the route near the Tower “stood members of the craftsmen’s guilds, and, on the other side of the road, priests and clerks in holy orders” stood. Houses were decked out in tapestries and banners “as Richely as might be Devysed” (Loach 33).

Making up the procession preceding the King were his messengers, gentlemen, servants of foreign ambassadors and heralds.  There followed chaplains, knights, the sons of various nobles and barons arranged by their degree. The bishops, the sons of earls, marquesses and dukes were followed by their fathers the earls, marquesses and dukes.  Those closest to the king were his Household Officers. Riding literally beside the king were the Lord Protector, the Duke of Somerset, Edward Seymour, the Lord Admiral, John Dudley and the King’s Master of the Horse, Sir Anthony Browne (of Cowdray).  The entire scene was depicted in a mural at Cowdray House, Sir Anthony’s home.  “Surviving only now as an eighteenth-century drawing, the procession makes its way through the winding narrow streets, stretching out across the entire length of the city”  (Skidmore 57).  Bringing up the rear were the servants of the noblemen and gentlemen. ed coronation procesisonb

Coronation procession of Edward VI in watercolor.  A copy of the original that is now lost

The pageants performed along the route were not rehearsed enough to run smoothly but that did not matter.  Their purpose was to present the imagery that “reflected a world of allegorical meaning closely pondered upon by Tudor contemporaries” (Skidmore 58). Sources tell us that Edward favored the tight rope walker and when at one stop along the route, he was presented with £1,000** in gold coins he asked, “Why do they give me this?” (Skidmore 58). A charming story and one that reiterates how very young Edward was. edward coronation processione flip it

Close-up picture of the coronation procession.

By the time Edward had reached Westminster it was six o’clock and the procession had lasted about four hours. No elaborate ceremonies or celebrations were held that evening and notice was given to all noblemen to “be at Westminster in their best array by seven the next morning” (Skidmore 59).

On 20 February, Edward entered Westminster Abbey to be crowned.  Some concessions were made to the ceremony to the age of the king so it would not make him “weary and be a hurtsome peradventure to the Kinges Majestie being yet of tender age fully to endure and bide owte” (Loach 35).  There were points within the ceremony in which he could rest and he was carried in a chair for part of the procession within the Abbey.  The ceremony itself was shrunk to accommodate the King’s young age.  The celebrations for Edward lasted seven hours when typically they lasted about twelve.

The consecration was not curtailed much though and followed the Liber Regalis*** a “formula that had been used on every such occasion since 1375” and was conducted by Archbishop of Canterbury, Thomas Cranmer (Meyer 328).  For the first time, an English king would not pledge allegiance to Rome as he would become the head of the Church within the framework of the Protestant service.   Dale Hoak has pointed out the revisions made by Cranmer to the coronation service were for the “unprecedented advent of a protestant supremacy” (Hunt 84). The changes shifted the relationship between of the king and his people and the king and his nobles.

liber regaliac

Illustrated page of the Liber Regalis

After the nobles pledged allegiance to Edward, the events moved to Westminster for the celebratory banquet in Westminster Hall.  When the Champion, Edward Dymoke, threw down the gauntlet challenging combat to anyone questioning Edward’s right to rule, it certainly pleased the king as this episode is “described in more detail than anything else in Edward’s own account of the dinner” (Loach 38).  The rituals surrounding the banquet may not have been too appealing for a young boy. Edward’s entry in his diary is bare-boned.  He recorded that he sat with his uncle and the Archbishop “with the crown on his head” (Skidmore 63).

Liber Regalisa

liber regaliaB

Liber Regalis showing the crowning of a king and a queen.

Edward’s half-sister did not participate in any of the coronation celebrations.  Elizabeth was away from Court under the care of Katherine Parr. We are told she was “subdued and depressed, remained with her stepmother” (Perry 40).  The closeness the siblings had shared at one time could not be recreated. At one point Edward wrote to Elizabeth when their households were separated that “change of place did not vex me so much, dearest sister, as your going from me. “Now there is nothing pleasanter than a letter from you … It is some comfort in my grief that my chamberlain tells me I may hope to visit you soon (if nothing happens to either of us in the meantime).  Farewell dearest sister” (Hibbert 28).

Now not only was the age difference more than likely beginning to make a difference, Edward’s new responsibilities and the deference due to him as king altered their relationship.  We do have the charming story of them exchanging portraits shortly before their father’s death. Elizabeth wrote a letter to accompany the delivery of the painting.  “I most humbly beseech your Majestry that when you shall look on my picture you will vouchsafe to think that you may have but the outward shadow of the body before you, so my inward mind wischeth that the body itself were oftener in your presence…” (Perry 43).

elizabeth 1 by scrouts

This famous painting of Elizabeth is attributed to Guillim Scrots and identified as the painting mentioned in the above letter–both statements are in dispute. 

download Edward as Prince of Wales attributed to Guillim Scrots.  Karen Hearn states that dendrochronological evidence shows that these two paintings may have been done on panels from the same tree (Hearn 50).  The background shows Hunsdon House where Edward and Elizabeth spent much time together as children.  When Elizabeth Regina inherited the house on her accession she made her cousin, Henry Carey, First Baron of Hunsdon and gave him the property.

 Notes

*Brussels, 9th September 1785,

Mr. Newman,–Mr. Astle of the Socieity of Antiquaries will write you a Letter by a Person I have given leave to take a Copy of the procession of Edward the Sixth in the parlour at Cowdray, and I desire you will let hime have every Convenience for that purpose, but he is not to take any other Copies of paintings in the House without applying to me: in haste.—Yours, &c.,

MONTAGUE (Roundell, 97).

**The equivalent of £1,000 in 1547 would be worth £455,000 in 2010 currency of the retail price index. This was calculated using the website, Measuring Worth.com.

***The essential elements of the coronation service used in modern times can be traced back to the crowning of King Edgar at Bath in 973. That tenth-century liturgy, drawn up by St Dunstan, underwent various adaptations in the early middle ages. Around 1382, probably in preparation for the crowning of Anne of Bohemia (Richard II’s consort), a new fine copy of the order of service was made. This illuminated manuscript, known as the Liber Regalis, is one of the great treasures of the Abbey’s library. It provided the order of service for all subsequent coronations up to, and including, that of Elizabeth I. For the coronation of James I the liturgy was translated into English. Nevertheless, with occasional adaptations to suit the political and religious circumstances of the time, the Liber Regalis remained the basis for all later coronation liturgies (“History”).

References

Edward VI. “Edward VI’s Diary.” Edward VI’s Diary. British Library, Learning Timelines:  Sources from History, n.d. Web. 28 Apr. 2013.

Frye, Susan.  Elizabeth I:  The Competition for Representation. Oxford:  Oxford Univseity Press. 1993. Print.

Hearn, Karen. ed.  Dynasties:  Painting in Tudor and Jacobean England 1530-1630.  New York: Rizzoli. 1995. Print.

Hibbert, Christopher.  The Virgin Queen: Elizabeth I, Genius of the Golden Age.  New York: Addison-Wesley Publishing Company, Inc., 1991.  Print.

“History.” Guide to the Coronation Service at Westminster Abbey. The Dean and Chapter of Westminster Abbey, n.d. Web. 28 Apr. 2013.

Hunt, Alice. The Drama of Coronation: Medieval Ceremony in Early Modern England. Cambridge, UK: Cambridge UP, 2008. Google Books. Web. 26 Apr. 2013.

Levin, Carole.  The Heart and Stomach of a King:  Elizabeth I and the Politics of Sex and Power.  Philadelphia: University of Pennsylvania Press. 1994. Print.

Loach, Jennifer, Penry Williams, and George Bernard. Edward VI. New Haven: Yale UP, 1999. Google Books. Web. 26 Apr. 2013.

Mackintosh, James, and R. J. Mackintosh. The History of England: From the Earliest times to the Final Establishment of the Reformation. Vol. 2. London: Longman, Brown, Green, and Longmans, 1853. Google Books. Web. 28 Apr. 2013.

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