The Second Step-Mother to Elizabeth, Anne of Cleves

The Second Step-Mother to Elizabeth, Anne of Cleves

After the death of Jane Seymour, Henry began negotiations with European Royal houses.  Henry was still Catholic in the sense that he did not agree to reforms in the services of worship. In 1539 he had the Act of Six Articles drawn up which kept the traditional church teachings, especially the doctrine of transubstantiation. His advisors such as Cromwell and Cranmer did not relish a Catholic bride and steered Henry toward the Protestant countries and dukedoms.  The Duke of Cleves was a mild Protestant and had two unmarried sisters.  Anne was the ‘lucky’ bride. She was married to Henry in January 1540 and divorced six months later in July.

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Henry VIII illustrated on his Marriage Proclamation to Anne of Cleves, January 5, 1540.

Tradition has passed down that Anne was so disgusting to Henry that he declared after first meeting her that “I like her not”.  Anne gets an unjustified description as ‘The Flanders mare’.  She was not as unattractive (we will not delve into the issue of painting by Hans Hoblein) as Henry’s supporters and biographers make out (for evidence consult the individual biographies referenced below). Their first meeting did not go well and Henry could not overlook her response.  He projected his shortcomings onto her. What had happened was, Henry full of romantic ideas of surprising his bride, entered her presence shortly after her arrival on the shores of England, disguised as a messenger.  Anne spoke few words of English, her ladies in waiting were complete foreigners, and no one advised her about Henry’s preference for masquerades which included coming upon ‘unsuspecting’ Courtiers in disguise. Startled by this muddied, elderly messenger acting very familiarly to her, Anne responded coldly and not with the delighted surprise Henry expected.

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The (in)famous Hans Holbein Painting, 1539

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Miniature attributed to Hans Holbein, 1539

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Attributed to Barthel Bruyn, 1540s

Not her features but perhaps the whole package was deemed lacking by Henry—a man captivated by the accomplishments Anne Boleyn learned at the Court of France.  Anne of Cleves, on the other hand, was reared to be a practical companion to a man with position and power, her talents of intelligence and common sense lent themselves to being a successful housewife.  Dancing, playing musical instruments, and speaking in foreign languages would not have been part of her upbringing.  Was she unattractive?  That debate we will leave behind.  This blogger believes Anne was probably attractive but “had no accomplishments whatever” that Henry found so necessary (Strickland 410).

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Ceremonial bedhead created for the marriage of Henry and Anne

According to Gregorio Leti, an Italian historian writing in the late 1600s with access to documents that have since disappeared, Elizabeth wrote to her father about this time asking for permission to meet her new step-mother, Anne of Cleves.

I would like to caution us to accept Leti’s work with a touch of reserve. Mary Anne Everett Wood, a later historian, reminds us “the originals have perished, or are no longer accessible” (Wood 14).  Leti would have translated his sources into his native Italian and the only text available of his work is itself a French translation published in Amsterdam in 1694 titled, La Vie d’Elizabeth, reine d’Angleterre. This work was supposedly suppressed in England by royal authority.  The letter, which has no date or signature, written when Elizabeth would have been a little over six years old is below.

Madame,—I am struggling between two contending wishes—one is my impatient desire to see your Majesty, the other that of rendering the obedience, I owe to the commands of the King my father, which prevent me from leaving my house till he has given me full permission to do so.  But I hope that I shall be able shortly to gratify both these desires.  In the meantime, I entreat your Majesty to permit me to show, by this billet, the zeal with which I devote my respect to you as my queen, and my entire obedience to you as to my mother.  I am too young and feeble to have power to do more than to felicitate you with all my heart in this commencement of your marriage.  I hope that your Majesty will have as much good will for me as I have zeal for your service. (Queen Elizabeth I 21)

Anne showed the letter to the king and he would not let Elizabeth come to court.  Henry “took the letter and gave it to Cromwell” ordering him to write a reply.  “Tell her,” he said brutally, “that she had a mother so different from this woman that she ought not to wish to see her” (Weir 408). Whether or not the story is true, Henry did not withhold permission for long as Elizabeth was eventually brought to Court from Hertford Castle to meet Anne.

Leti reports that “Anne of Cleves, when she saw Elizabeth, was charmed by her beauty, wit and …that she conceived the most tender affection for her. Anne claimed that to have had Elizabeth “for her daughter would have been greater happiness to her than being queen” (Strickland Life of Queen Elizabeth I 15). This sentiment should not be diluted by the fact that Anne was queen for only six months.

When Henry could not evade the wedding, he became determined to divorce Anne as soon as he could. According to Martin Hume, when confronted about a previous marriage (a pre-contract to the Duke of Lorraine has been mentioned in many biographies but no marriage so I take this with a grain of salt) Anne replied, “Please your Majesty, it is true I was espoused to him, but when the Duke spoke to me about marrying your Majesty, he told me my husband was dead, and I know nothing more about it” (Hume 93). Hume continues that Henry, angry at the Duke of Cleves for giving him a married woman, called together his Council for advice on what to do.  The Council recommended a divorce and agreed he should make an allowance for Anne to live on after their marriage was dissolved.  “The lady took it pleasantly enough” (Hume 95).

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Rare document with the signature “Anna the Queen”

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Most signatures are “Anna the Daughter of Cleves”

When the “conditions of her divorce were arranged, she (Anne) requested, as a great favour, that she might be permitted to see her (Elizabeth) sometimes” (Strickland Life of Queen Elizabeth I 15).  Henry agreed as long as Elizabeth addressed her as Lady Anne instead of Queen Anne (Lindsey 156).  Anne’s relationships and status were established by that new title.
Upon her divorce Anne retained a position in the family and Court with the status as the King’s Sister. She gained a sizable income “secured on the Cornish tin mines,” (Hume 95) plus lands and properties granted to her “to the value of £3,000* a year” (Strickland 419). Anne was given Richmond Palace, Hever Castle, Penshurst, Dartford Castle, a London residence, plus other estates such as the land-hold in Lewes.

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Gate at Richmond Palace   

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Hever Castle

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Anne of Cleves House in Lewes, now a museum

Anne experienced considerable freedom and it appears as if she bore the loss of her husband quite cheerfully. She enjoyed her life in England learning to dance and play music, hunting, dressing in fine clothes and having a pleasant relationship with Henry.

Her amiableness is shown in her dedication to Henry in the Book of Hours, Salisbury 1533 “I beseche your grace huble when ye loke on this rember me. Yor graces assured anne the dowther off cleves” (Anne of Cleves).  In the modern translation: “I beseech your grace humbly when you look on this remember me.  Your grace’s assured Anne the daughter of Cleves.”

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Dedication in the Book of Hours in Anne’s handwriting.  She gave this to Henry as a gift.  

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A decorated and illuminated page in the Book of Hours, Salisbury

This daughter of Cleves did have quite a unique status not only in England but in the scene of international politics.  Many could not define if she was free to marry and her brother put out feelers once in a while to consider her return to Cleves or create clarity in her position.  What I found interesting was the diplomatic dispatch, reprinted below, which the French Ambassador, Charles de Marillac, to the English Court sent to his king concerning the inquiry made by the Duke of Cleves after the arrest of Catherine Howard, the fifth wife of Henry VIII.

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William, Duke of Cleves

December 16, 1541 Marillac to Francis I 
Told by the ambassador of Cleves that, upon letters of credence from his master, he sought to speak with this King about lady Anne, but as the King’s grief did not permit it he yesterday went before the Council and, after declaring his master’s thanks for the King’s liberality to his sister, prayed them [to find] means to reconcile the marriage and restore her to the estate of queen. They answered, on the King’s behalf, that the lady should be graciously entertained and her estate rather increased than diminished, but the separation had been made for such just cause that he prayed the Duke never to make such a request. The ambassador asking to have this repeated, Winchester, with every appearance of anger, said that the King would never take back the said lady and that what was done was founded upon great reason, whatever the world might allege. The ambassador dared not reply, for fear that they might take occasion to treat her worse; but came to tell Marillac, because his master wrote that they would beg Francis to intercede. Thinks there are two courses open, either to intercede so dexterously as not to show that it is done with authority, and thus frighten the English into a league with the Emperor, or else to say nothing about it.  London, 16 Dec. 1541. (Gairdner XVI 678)

After Henry’s death, the financial situation of Anne of Cleves did change and there was talk of her returning to Cleves.  This, of course, came to nothing as she was at Court for Edward and Mary’s rule.

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St. Augustine’s Abbey, Canterbury.  Anne and Elizabeth spent a great deal of time here. 

Throughout Mary’s reign, Anne and Elizabeth were often seen together. Starting on 30 September 1553 when they rode in a carriage during Queen Mary’s coronation procession.   They were together at the state banquet later too. “The two of them sat together at the end of the table, Elizabeth now heiress-presumptive to the throne, and Anna of Cleves’ precedence moved up to that of the third lady in the land”  (Fraser 409).

Although “Madam of Cleves always paid great honour to Madam Mary” (Hume 92), Anne did create controversy when she joined Elizabeth in not attending the Catholic Mass during the early part of Mary’s reign.  The Queen had words with Anne and she afterwards did attend services (Ridley 47).  Being so close to the same age, one could imagine how Anne and Mary could get along, but it was with Elizabeth that Anne shared the most affection until the day she died, 16 July 1557 at Chelsea Manor.

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Tomb of Anne of Cleves at Westminster Abbey

Anne’s last will and testament was not as bountiful as commentators would have expected.  She did leave some items to her step-daughters.  To Elizabeth she left some jewels with the hope that one of her ladies-in-waiting, Dorothy Curson, could join the younger woman’s household.

Anne’s influence may have extended further than imagined to the unmarried state of Elizabeth.  Somerset implies that witnessing her father’s distaste and rejection of Anne of Cleves and her brother-in-law Philip’s lack of respect and attraction for Mary, Elizabeth did not want to experience the same thing herself.  So as queen Elizabeth supposedly told Count Feria, the Spanish Ambassador, that she had “taken a vow to marry no man whom she has not seen, and will not trust portrait painters” (Somerset 92).

*The equivalent of £3,000 in 1540 would be worth £1,508,000 in 2010 currency of the retail price index. This was calculated using the website, Measuring Worth.com.

References

“Anne of Cleves’s Book of Hours.” -Folger Shakespeare Library. Folger Shakespeare Library, n.d. Web. 8 May 2013.

Elton, G. R. England Under the Tudors. Third ed. London:  Routledge, 1991. Print

Erickson, Carolly. The First Elizabeth. New York: Summit Books. 1983. Print.

Fraser, Antonia.  The Wives of Henry VIII.  New York:  Alfred A. Knopf, 1992. Print.

Gairdner, James and R. H. Brodie (editors). “Henry VIII: December 1541, 11-20.” Letters and Papers, Foreign and Domestic, Henry VIII, Volume 16: 1540-1541 (1898): 671-681. British History Online. Web. 12 May 2013.

Gairdner, James and R. H. Brodie (editors). “Henry VIII: January 1542, 1-10.” Letters and Papers, Foreign and Domestic, Henry VIII, Volume 17: 1542 (1900): 1-9. British History Online. Web. 12 May 2013.

Lindsey, Karen.  Divorced, Beheaded, Survived:  A Feminist Reinterpretation of the Wives of Henry VIII.  Reading, Massachusetts:  Addison-WESLEY Publishing Company, 1995. Print.

Neale, J. E. Queen Elizabeth I. Garden City, NY: Doubleday, 1957. Print.

Norton, Elizabeth.  Anne of Cleves:  Henry VIII’s Discarded Bride.  Stroud, Gloucestershire: Amberley Publishing, 2010. Print.

Queen Elizabeth I, Frank Mumby, and R. S. Rait. The Girlhood of Queen Elizabeth: A Narrative in Contemporary Letters. Boston: Houghton Mifflin, 1909. Google Books. Web. 9 May 2013.

Ridley, Jasper. Elizabeth I: The Shrewdness of Virtue.  New York: Fromm International Publishing Corporation, 1989.  Print.

Saaler, Mary.  Anne of Cleves:  Fourth Wife of Henry VIII.  London:  The Rubicon Press, 1995. Print.

Starkey, David.  Six Wives: The Queens of Henry VIII.  London:  Chatto & Windus, 2003.  Print.

Strickland, Agnes. Life of Elizabeth, Queen of England, with Anecdotes of Her Court, from Official Records and Other Authentic Documents, Private as Well as Public. New York: Miller, 1903 Internet Archive. Web. 6 May 2013.

Strickland, Agnes, Elisabeth Strickland, and Rosalie Kaufman. The Queens of England, Abridged and Adapted from Strickland’s “Queens of England” Chicago: Werner, 1895. Internet Archive. Web. 4 May 2013.

Weir, Alison.  The Six Wives of Henry VIII.  New York: Grove Weidenfeld, 1991. Print.

Warnicke, Retha. The Marrying of Anne of Cleves:  Royal Protocol in Tudor England. Cambridge: Cambridge University Press, 2000. Print.

Wood, Mary Anne Everett. Letters of Royal and Illustrious Ladies of Great Britain: From the Commencement of the Twelfth Century to the Close of the Reign of Queen Mary : Edited, Chiefly from the Originals in the State Paper Office, the Tower of London, the British Museum and Other State Archives. Vol. II. London: Henry. Colburn, 1846. Google Books. Web. 12 May 2013.

Rest in Peace

It is not the purpose here to debate whether or not a person can be completely prepared for death when it comes.  Each person’s preparation must be unique and based on his or her views and life-choices.  This preparation is most often done in private, but what if the person is a public figure—a sovereign? Now the natural process of death becomes a public experience. The deaths of both Henry VII and Elizabeth Regina were witnessed by a multiple people and recorded as part of the historic chronicle.  Their foibles and quirks exposed and also their immense courage.

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Death mask of Henry VII                Replica death mask of Elizabeth I

Henry VII’s health was never robust and after he suffered the deaths of his son Arthur and his Queen, Elizabeth of York, in childbirth along with the baby he became more delicate and more frequently experienced bouts of ill-health.  The Spanish ambassador, Pedro de Ayala, declared in a letter to Ferdinand and Isabella that “the king looks old for his years, but young for the sorrowful life he has led” (Bergenroth 178).

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Pedro de Ayala, Spanish Ambassador

In early March of 1509 Henry became unwell at Hanworth, about six miles from Richmond to where he ordered the Court to move.  By early April he was unable to eat and struggled for breath.  Some historians believe he suffered from quinsy, complications to tonsillitis.  Henry “lay amid mounds of pillows, cushions and bolsters” throughout the month of April (Penn 339).

Henry’s deathbed illness is not well-documented by narrative although we know several men who attended based on the scene depicted by Garter Herald Thomas Wroithesly.  There are 14 figures placed around the bed with three doctors identified by occupation by the flasks in their hands including Giovanni Battista Boerio and two clerics, including Thomas Wosley. The other nine had their coats-of-arms painted above their heads; they were Bishop Richard Fox, Lord George Hastings, Richard Weston, Richard Clement, Sir Matthew Baker, John Sharp, William Tyler, Hugh Denys and William Fitzwilliam.

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Henry VII on his death bed

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Henry’s eyes being closed by Fitzwilliam 

Henry lingered for some days until “having lived two and fifty years, and thereof reigned three and twenty years, and eight months, being in perfect memory, and in a most blessed mind, in a great calm of a consuming sickness passed to a better world, the two and twentieth of April 1509, at his palace of Richmond, which himself had built” (Bacon and Lumby 211).  Most of his Court was residing there and upon his death ministers went to great lengths (those maneuverings could fill another blog entry) to keep his death secret or at least unannounced, as they worked to decide who should control the realm.  Although the transfer of power was not immediate or completely smooth, enough preparations were in place for councilors to solidify their positions and to rally around the 17-year-old Henry VIII, securing the Tudor dynasty. John Fisher, Bishop of Rochester, assured the kingdom that Henry had handed over the throne to his son by  “wisely consyderynge this noble prynce ordred hymselfe therafter, let call for his sone the kynge that now is our governour. He called unto hym and gave hym faderly and godly exhortacion, commyttynge unto him the laborious governaunce of this realme…” (Fisher 285-86).

Henry’s will was published, luckily, in 1775 by Thomas Astle as the original is severely damaged. Only a small section of it remains.  The will is dated for March 31, 1509, three weeks before the King’s death. Scholars are sure that the will was written in real-time as the place, location and the date were written continuously with the main body of the text indicating that they were not placed in separately (Condon 107).

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Fragment of the Will of Henry VII

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 Published in 1775 by Thomas Astle

The document “captures the king’s authentic voice” and the overall tone is one of contrition and remorse”  (Condon 103).  Henry VII greatly repented during his final days. Some observers wondered if he felt remorse at the stringent economic measures that were instituted during his rule. Henry requested that his Executors listen to complaints “And in caas by suche examinacion it can be founde, that the complaint be made of a grounded cause … we wol then that as the caas shall require, he and thei bee restored and recompensed by our said Executours, of such our redy money and juelx as then shall remayne…” (Henry VII 12).  Here was a man conscious of the financial hardships he imposed on many of his subjects.

Perhaps, as his life drew to a close, he realized money was not the answer to all life’s questions or he was fearful of eternal punishment.  Whichever reason, he wanted to ensure that “also if any psone of what degree foevir he bee, shewe by way of complainte to our Executours, any wrong to have been doon to hym, by us, oure commaundement, occasion or meane, or that we helde any goodes or lands which of right ought to apperteigne unto hym; we wol that every such complainte, be spedely, tenderly and effectually herde, and the matier duely and indifferently examyned…” (Henry VII 11).

Besides the King’s preoccupation with righting possible wrongs, the other main provisions of his will were to complete the Lady Chapel, build the Savoy hospital and complete King’s College, Cambridge.  Added were the stipulation for alms to be given between the time of his death and burial…” (Condon 104).  Contemporaries believed that he was “a great almsgiver in secret; which shewed, that his works in public were dedicated rather to God’s glory than his own” (Bacon and Lumby 212).  Furthermore, he gained praise for granting a general pardon for less Earthly rewards “expecting a second coronation in a better kingdom” (Bacon and Lumby 211).  To ensure he covered all his bases, Henry stipulated for a “continual and continued edifice of prayer” for his soul (Condon 104).

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Illustrated document (and enlargement) of Henry VII requesting prayers and giving alms for the Lady Chapel of Westminster Abbey

Edward Hall was confident that, because of Henry’s “noble acts and prudent policies”, when he died “he has the sure fruition of the godhead, and the joy that is prepared for such as shall sit on the right hand of our savior, for ever world without end” (Loades 97). Although as previously mentioned, Henry appeared repentant, perhaps he was fearful of final judgment for evidence of his religious devotion in his final days included hearing several Masses a day and taking the sacrament when “he was of that feblenes that he might not receive it again”, saying confession and kissing the crucifix “not the selfe place where the blessed body of our lorde was conteyned, but the lowest parte of the fote of the monstraunt, that all that stode aboute hym scarsly might conteyn them from teres and wepyng” (Fisher 274).

Henry’s concern was reflected in the Reverend John Fisher’s funeral sermon in which he claimed that, while awaiting his death, Henry “was not without drede” in the face of God’s judgment even though he received “sacraments of crystes chyrche whiche with full grete devocyon…” (Fisher 277).

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Bishop of Rochester, John Fisher                      

After his death 22 April, the ex-king’s body was laid in state at Richmond until 9 May when it was taken by barge as far as London Bridge.  From here the casket was processed, in a carriage drawn by horses draped in black velvet, to St. Paul’s Cathedral on 10 May.  Atop the coffin was a life-sized effigy worked from Henry’s death mask and draped in parliamentary robes with the scepter and orb.  Heraldic banners and flags displaying Henry’s titles and dominions decorated the hearse and route.  Inside St. Paul’s, the coffin was laid at the high altar where a Mass for the dead was sung and a vigil kept throughout the night.  The funeral service was held on 11 May with the sermon given by Bishop Fisher.  Margaret Beaufort, Henry’s mother, was so pleased with the sermon she ordered it to be printed and distributed around the country.

From St. Paul’s the body was again taken in procession, this time to Westminster Abbey for burial to join Queen Elizabeth of York who was already laid to rest there.  Several more Masses were sung with the requiem led by Archbishop of Canterbury William Warham.  Once the services were completed, the body was interred at Henry’s stipulation “in the Chapell where our said graunt Dame laye buried, the which Chapell we have begoune to buylde of newe, in the honour of our blessed Lady” (Henry VII 4).  The ex-king’s household officers broke their staves of office and threw them in the tomb before it was sealed.

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William Warham, Archbishop of Canterbury

Posthumous reflections stressed the final days of Henry’s life when he showed remorse for some of his administrative policies.  Bishop Fisher revealed that worldly pleasures brought Henry unease that “al his goodly houses so rychely dekte & appareyled, his walles & galaryes of grete pleasure, his gardyns large … were paynfull to hym” (Fisher 278).  Not to be outdone, Bacon let us know that he was “born at Pembroke castle, and lieth buried at Westminster, in one of the stateliest and daintiest monuments of Europe, both for the chapel, and for the sepulcher.  So that he dwelleth more richly dead, in the monument of his tomb, than he did alive in Richmond, or any of his palaces” (Bacon and Lumby 221).

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Richmond Palace 1562

Founding the Lady Chapel had been an ambition of Henry VII for some time.  His last will and testament is the central text for the creation of the Lady Chapel of Westminster Abbey (what is now referred to as Henry VII Chapel).  For a detailed explanation of the creation and building of the chapel please refer to the text, Westminster Abbey: The Lady Chapel of Henry VII edited by T. W. T. Tatton-Brown and Richard Mortimer.

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Exterior of the Lady Chapel of Westminster Abbey, known as the Henry VII Chapel

From the onset, there was going to be no doubt who was the benefactor of the building of the Chapel; starting at the gates the King’s arms, badges, emblems would be shown and repeated throughout the chapel (Condon 64). Pietro Torrigiano was commissioned in 1512 to create Henry VII’s tomb. Seven years later the chapel was completed.

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Fan-vaulted ceiling of the Henry VII Chapel

His tomb was in the place of honor as his will decreed “And we wol that our Towmbe bee in the myddes of the same Chapell, before the High Aultier…” (Henry VII 4).  Yet, despite imploring his Executors to “full and entrie perfourmyng and executing of this our present Wille, and every thing conteyned in the same,” the tomb was moved to the side (Henry VII 27).  Henry VIII moved it behind the altar, “reserving the more prominent space for his own tomb…” (Penn 377).

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Tomb of Henry VII & Elizabeth of York, placed behind the altar rather than in the middle to allow space for the monument of Henry VIII

As things in life do happen, Henry VII’s son was not buried at Westminster in the carefully planned testimonial to the Tudor dynasty but his granddaughter, Elizabeth Regina, famously was.

Like her grandfather, Elizabeth grew depressed after the deaths of several people close to her: the Earl of Essex’s execution was a severe blow; the deaths of several of her women, Lady Peyton, Lady Skolt, Lady Heyward and in late February 1603 her cousin Katherine, Countess of Nottingham, granddaughter of her aunt Mary Boleyn and one of her closest attendants.

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Katherine Carey Howard, Countess of Nottingham

Her melancholy increased causing attendants (and later historians) to speculate upon the continual causes.  Was it the political losses in Ireland?  Was it the neglect of Courtiers who were lined up to offer services to James VI of Scotland? Was it the physical ailments which curtailed her activities such as riding and hunting? Was it the deaths of many from her council members? Was it the care and worry of the kingdom?  Was it insomnia?

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Allegorical painting of Elizabeth I done after 1620 during a revival of interest in her reign

Elizabeth had caught cold in early January which had turned to bronchitis.  On January 21 the Court moved to Richmond. The records we have from this time period are pretty extensive from contemporaries’ writings.  William Camden was given the Queen’s Rolls, Memorials and Records by William Cecil to use in compiling an historical account of the reign of Queen Elizabeth.  He wanted to do her justice, he wanted to obey Cecil and he wanted to tell the truth as he attested on the third page of ‘The Author to the Reader’ note.  A noble ambition and one that is hard to argue against.  We have from him that in the beginning of Elizabeth’s illness the “Almonds in her Throat swelled, and soon abated again; then her Appetite failed by degrees; and withal she gave herself over wholly to Melancholy, and seemed to be much troubled with a peculiar Grief for some Reason or other” (Camden 659).

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William Camden

Her godson, John Harington, tried to cheer her up with verses and light-hearted talk but, according to a letter he sent his wife, Elizabeth told him, “When thou dost feel creeping Time at thy gate, these fooleries will please thee less; I am past my relish for such matters; thou seest my bodily meet doth not suit me well; I have eaten but one ill-tasted cake since yesternight” (Sitwell 453).

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John Harington  

Her kinsman, Robert Carey, the son of her cousin Lord Hunsdon, also visited her at Richmond and he found her “in one of her withdrawing chambers, sitting low upon her cushions.  After greetings he wished her in health and she said ‘No, Robin, I am not well’; and then discoursed with me of the indisposition; and that her heart had been sad and heavy for ten or twelve days; and in her discourse she fetched not so few as forty or fifty great sighs.  I was grieved at the first to see her in this plight; for in all my lifetime I never knew her to fetch a sigh, but when the Queen of Scots was beheaded” (Carey 116).  Carey continued that “I used the best words I could to persuade her from this melancholy humour but I found by her it was too deep rooted in her heart and hardly to be removed” (Aikin 523).

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Robert Carey, surrounded by his wife and children

Carey reported that in late-March on a Sunday Elizabeth had expressed her wish to go to chapel in her closet but she could not make it.  Cushions were laid for her on the floor near the closet door and she listened to services from there. “From that day forward she grew worse and worse.  She remained upon her cushions four days and nights at the least.  All about her could not persuade her either to take any sustenance or go to bed….” (Carey 119).  Her coronation ring had to be cut off of her finger as it had grown into the flesh—perhaps hard for her to accept as she had always prided herself in her long, tapered fingers.  The removal of the ring “was taken as a sad Omen, as if it portended that her Marriage with the Kingdome, contracted by the Ring, would now be dissolved” (Camden 659).

Some reported that she was losing her mental faculties but John Nichols assured that  “there was no such matter; only she held an obstinate silence for the most part, because she had a persuasion, that if she once lay down she should never rise; could not be got to go to bed in a whole week” (Nichols 604). She did not speak for several days “sitting sometimes with hir eye fixed upon one object many howres together, yet shee always had hir perfect senses and memory” (Manningham 146).

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Final days of Elizabeth 1 by Paul Delaroch, 1828

The Queen would take no medicines, but she would not go to bed to die either.  Maybe we could say it was another example of her trying to see both sides of an issue, trying to compromise, or simply trying to wait-out the events.

The Lord Admiral Charles Howard, Earl of Nottingham, was brought in to persuade her to go to bed. He was successful yet all knew “there was no hope of her recovery, because she refused all remedies” (Aikin 524).  Not long after, she had herself pulled to her feet and stood for 15 hours before returning to her cushions.  Elizabeth was fighting death with her usual tenacity.

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Lord Admiral Charles Howard, Earl of Nottingham

The Venetian Ambassador, Giovanni Scaramelli said she had rallied a little 21 March.  Most speculate it was after the abscess in her throat burst allowing for her to feel better for a while.  Around this time there occurred the famous incident involving Robert Cecil.  He approached the Queen and said “Madam, to content the people you must go to bed” and the Queen rebuked him with “Little man, little man, the word must is not to be used to princes” (Perry The Word of a Prince 317).

(c) National Trust, Hardwick Hall; Supplied by The Public Catalogue Foundation

Robert Cecil

Carey provided that “on Wednesday the 23rd of March she grew speechless” (Aikin 524).  John Manningham, a diarist and lawyer, went to Richmond Palace on that date after the rumors of Elizabeth’s health had reached London and even stories that she was already dead.  He was acquainted with Dr. Henry Parry, Bishop of Gloucester and Elizabeth’s favorite chaplain.  Manningham dined in the privy chamber with Dr. Parry and several others learning about the Queen’s illness how “for a fortnight she had been overwhelmed with melancholy, sitting for hours with eyes fixed upon one object, unable to sleep, refusing food and medicine, and …still retained her faculties and memory” (Manningham 14).

henry parry

Henry Parry, Chaplain to Elizabeth Regina

When it appeared as if there would be no recovery, the councilors became anxious to officially secure the succession.  Therefore, when she was asked if James VI of Scotland would be her heir, she made a gesture that was taken as assent.  Many witnesses relayed with drama that she placed her hands above her head in the shape of a crown, others that she merely motioned with her hand agreement.  Regardless of the true action, the movement was taken as her sanction and preparations were made for the ascension of James Stuart. Unlike her grandfather, she left no will.  Her treasury was intact and her possessions available for James to inherit as he would her throne.

During her final days Dr. Parry, her chaplain, administered to her when she “tooke great delight in hearing prayers, would often at the name of Jesus lift up hir hands and eyes to Heaven” (Manningham 146).

The Archbishop of Canterbury, John Whitgift, came at about six in the evening of the 23March to pray with her.  He knelt at Elizabeth’s bedside and prayed until he became sore and tired and when he “blessed her, and meant to rise and leave her” she gave indication that she wanted him to continue.  He did so with “earnest cries to God for her soul’s health, which he uttered with that fervency of spirit, as the Queen to all our sight much rejoiced thereat, and gave testimony to us all of her Christian and comfortable end” (Carey 122).  The Archbishop stayed quite late until everyone but a few of her women and, according to some reports, Dr. Parry departed.

WhitgiftJohn2

John Whitgift, Archbishop of Canterbury 

She died between two and three in the morning of Thursday March 24, 1603. Manningham recorded Dr. Parry’s words when he made the death announcement.  “This morning about three at clocke, hir Majestie departed this lyfe, mildly like a lambe, easily like a ripe apple from the tree”(Manningham 146).  He continued that Dr. Parry reported he “sent his prayers before hir soule” … and concluded that he, Manningham, “doubt not but shee is amongst the royall saints in Heaven in enternall joyes” (Manningham 147).

Upon her death, Elizabeth’s body was tended at Richmond Palace by her ladies, specifically Anne Russell, Countess of Warwick, and Helena Snakenborg, Marchioness of Northampton.  Five days later, at night, it was taken along the river in a black-draped barge to Whitehall.  There it lay in State in a withdrawing chamber attended continuously by lords and ladies of the Court.  Many days later, the body was moved to Westminster Hall to await the King’s orders for the funeral.

anne russell      helena snakenborg

       Anne Russell,                                     Helena Snakenborg
Countess of Warwick                        Marchioness of Northampton

The funeral was held 28 April 1603.  Elizabeth’s body was processed to Westminster Abbey.  Four horses, hung in black velvet, pulled a hearse carrying the coffin which was covered in purple velvet upon which lay the life-sized wax effigy—remade in 1760.  Although spectacularly covered in Parliamentary robes, holding the scepter and orb, no hint of Elizabeth’s carefully controlled image of Gloriana remained in the true-to-life likeness from the death mask. When the effigy was seen by the tens of thousands of people along the procession route, it was responded to as emotionally as if it were the Queen in life.  John Stowe who attended the funeral left this description of “all sorts of people in their streets, houses, windows, leads and gutters, that came to see the obsequy, and when they beheld her statue lying upon the coffin, there was such a general sighing, groaning and weeping as the like hath not been seen or known in the memory of man” (“History”).  Even Scaramelli, the Venetian Ambassador thought the effigy was depicted “so faithfully she semmes alive” (Doran 249).

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Funeral procession of Elizabeth Regina, first pictorial record of a funeral of an English monarch

The funeral was organized by Robert Cecil with an estimated cost ranging between £11,305 to £25,000 (in 2010 values that would be £30,800,000 to £68,100,000*) a remarkable sum (Doran 248-249).

The impressive procession of nobles (six earls in no less, in mourning dress, supported the canopy of estate under which was the coffin) with councilors, clerics, courtiers, heralds, gentlemen, servants and 276 poor people filed behind.  Over a thousand people took their place with the peeresses of the realm, who were led by the chief mourner the Marchioness of Northampton.  Archbishop Whitgift officiated at the service which saw the interment of Elizabeth under the main altar of the chapel of her grandfather, Henry VII.  Following tradition her officers broke their staves and threw them atop the coffin before the tomb was sealed.

Three years later, Elizabeth’s body was relocated, along with her sister Mary’s to a chapel James I had created on the north aisle. This blogger had contacted Westminster Abbey to confirm via primary source evidence that Elizabeth was first buried in Henry VII’s tomb.  Miss Christine Reynolds, Assistant Keeper of Muniments, verified that there is a document in the Abbey archives, reference W. A. M. 33659 of 1605-06,  that authorized the removal of the Queen’s body from Henry VII’s vault to the present tomb. The effigy of the newer monument was sculptured by Maximilian Colt and painted by John de Critz according to some reports it too was worked from the death mask at a cost of £1485 (£4,040,000 in 2010 values*).

e1 tomba

Tomb of Elizabeth Regina

The Latin inscription on her tomb would have pleased her.  Below is a portion of it translated:
“Mother of her country, a nursing-mother to religion and all liberal sciences, skilled in many languages, adorned with excellent endowments both of body and mind, and excellent for princely virtues beyond her sex” (“History”).

ElizabethTomb

Monument to Elizabeth I in Westminster Abbey

Elizabeth had gained the love and devotion of her people and had ruled with great popularity.  William Camden’s biography was to prove prophetic when he said: “No Oblivion shall ever bury the Glory of her Name: for her happy and renowned Memory still liveth, and shall for ever live in the Minds of men to all Posterity” (Camden 661).

Once the proclamation was made for James I, the crowds were not exuberant as “sorrowe for hir Majesties departure was soe deep in many hearts they could not soe suddenly showe anie great joy” (Manningham 147).

That sorrow manifested itself 10 years later in comments made by Edward Hall.  “Such was the sweetness of her government and such the fear of misery in her loss, that many worthy Christians desired that their eyes be closed before hers” (Aikin 529).

e1 tombd

It was the “new men and new manners brought in by James I served to teach the nation more highly to appreciate all that it had enjoyed under his illustrious predecessor…” and the “despicable weakness of her successor caused her decease to be regretted and deplored” (Aikin 529).

Many people saw the significance of her death date with William Camdon explaining:  “On the 24 of March, being the Eve of the Annunciation of the Blessed Virgin, she (who was born on the Eve of the Nativity of the same Blessed Virgin) was called out of the Prison of her earthly Body to enjoy an everlasting Country in Heaven, peaceably and quietly leaving this Life after that happy manner of Departure… having reigned 44 Years, 4 Months, and in the seventieth Year of her Age; to which no King of England ever attained before” (Camdon 661).

e1 tomb effigy

Stanza 21 and 22 of a poem written by Queen Elizabeth

Regret for my fault
Delivered me from sin,
For it afflicted me so
That this alone was my care—
That I did not have care enough;
Knowing better, that in joy
I had to suffer,
I turned myself to so many tears
That a thousand times my comfort
Renewed my pains.

To increase the grief
Of my follish past,
Contemplating my Creator,
I remember the making
Of me, a sad sinner;
I saw that God redeemed me,
Beign cruel against Him,
And considering well who He was,
I saw how He made Himself me,
So that I would make myself Him.
Queen Elizabeth (Marcus 419)

*Values for pounds were figured using the Measuring Worth website at http://www.measuringworth.com/ppoweruk/

References

Aikin, Lucy. Memoirs of the Court of Elizabeth, Queen of England. London: G. P. Putnam, 1870. Kindle.

Bergenroth, G. A., and, Pascual De. Gayangos. Calendar of Letters, Dispatches and State Papers, Relating to the Negotiations between England and Spain, Preserved in the Archives at Simancas and Elsewhere: Published by the Authority of the Lords Commissioners of Her Majesty’s Treasury under the Direction of the Master of the Rolls. Henry VII 1485 – 1509. ed. Vol. 1. London: Longman, Green, Longman and Roberts, 1862. Google Books. Web. 26 Nov. 2012.

Borman, Tracy. Elizabeth’s Women:  The Hidden Story of the Virgin Queen.  London:  Jonathan Cape.  2009. Print.

Camden, William, and Robert Norton. Annals, Or, The Historie of the Most Renovvned and Victorious Princesse Elizabeth, Late Queen of England.: Containing All the Important and Remarkable Passages of State, Both at Home and Abroad, during Her Long and Prosperous Reigne. 4th ed. London: Printed by Thomas Harper, for Benjamin Fisher, and Are to Be Sold at His Shop in Aldersgate Street, at the Signe of the Talbot., 1688. Google Books. Web. 2 Dec. 2012.

Carey, Robert Sir, Earl of Monmouth. The Memoirs of Sir Robert Carey. Edinburgh: James Ballantyne and Co. and Archibald Constable and Co.. 1808. Google Books. Web. 15 Apr. 2013

Condon, Margaret. Westminster Abbey: The Lady Chapel of Henry VII. Ed. T. W. T. Tatton-Brown and Richard Mortimer. Rochester, NY: Boydell, 2003. Google Books. Web. 14 Apr. 2013. 

Doran, Susan, ed. Elizabeth:  The Exhibition at the National Maritime Museum. London: Chatto & Windus, 2003. Print.

Doran, Susan.  The Tudor Chronicles 1485-1603.  New York:  Metro Books, 2008. Print.

Erickson, Carolly. The First Elizabeth. New York: Summit Books. 1983. Print.

Fisher, John, and John E. B. Mayor. “Sermon Sayd in the Cathderall Chyrche of Saynt Poule within the Cyte of London the Body Being Present of the Moost Famous Prynce Kyng Henry the VIII, 10 May MCCCCCIX. Enprinted by Wynkyn De Worde 1 H. VIII.”The English Works of John Fisher, Bishop of Rochester. London: N. Trübner for the Early English Text Society, 1876. 268-88. Google Books. Web. 1 Dec. 2012.

Frye, Susan.  Elizabeth I:  The Competition for Representation. Oxford:  Oxford Univseity Press. 1993. Print.

Griffiths, Ralph A. and Roger S. Thomas.  The Making of the Tudor Dynasty.  New York: St. Martin’s Press, 1985. Print.

Henry VII. The Will of King Henry VII. London: Printed for the Editor: and Sold by T. Payne; and B. White, 1775. Google Books. Web. 13 Apr. 2013.

Hibbert, Christopher.  The Virgin Queen: Elizabeth I, Genius of the Golden Age.  New York: Addison-Wesley Publishing Company, Inc., 1991.  Print.

“History.” Elizabeth I. The Dean and Chapter of Westminster Abbey, n.d. Web. 14 Apr. 2013.

Jones, Michael K. and Malcolm G. Underwood.  The King’s Mother: Lady Margaret

Beaufort, Countess of Richmond and Derby. New York: Cambridge University Press, 1992. Print.

Levin, Carole.  The Heart and Stomach of a King:  Elizabeth I and the Politics of Sex and Power.  Philadelphia: University of Pennsylvania Press. 1994. Print.

Loades, David, ed. The Tudor Chronicles: The Kings.  New York: Grove Weidenfeld, 1990.  Print.

Manningham, John, and John Bruce. Diary of John Manningham of the Middle Temple and of Bradbourne, Kent, Barrister-at-law, 1602-1603. London: Camden Society, 1868. Open Library, 13 Apr. 2010. Web. 2 Dec. 2012.

MacCaffrey, Wallace. Elizabeth I. London: E. Arnold. 1993. Print.

Neale, J. E. Queen Elizabeth I. Garden City, NY: Doubleday, 1957. Print.

Nichols, John. The Progresses and Public Processions of Queen Elizabeth. Among Which Are Interspersed Other Solemnities, Public Expenditures, and Remarkable Events during the Reign of That Illustrious Princess. Collected from Original MSS., Scarce Pamphlets, Corporation Records, Parochial Registers, &c., &c.: Illustrated with Historical Notes. New York: B. Franklin, 1823. Google Books. Web. 19 Jan. 2013.

Norton, Elizabeth.  Margaret Beaufort: Mother of the Tudor Dynasty.  Stroud: Amberley, 2010. Print.

Penn, Thomas.  Winter King; the Dawn of Tudor England.  New York: Penguin Books, 2012. Print.

Perry, Maria. The Sisters of Henry VIII.  New York: St. Martin’s Press, 1999. Print.

Perry, Maria.  The Word of a Prince: A Life of Elizabeth from Contemporary Documents.  Woodbridge, Suffolk: The Boydell Press, 1990.  Print.

Ridley, Jasper. Elizabeth I: The Shrewdness of Virtue.  New York: Fromm International Publishing Corporation, 1989.  Print.

Sitwell, Edith.  The Queens and the Hive.  Harmondsworth: Penguin Books, 1966. Print.

Somerset, Anne. Elizabeth I.  New York: Alfred A. Knopf, 1991. Print.

Strachey, Lytton.  Elizabeth and Essex: A Tragic History.  New York: Harcourt Brace & Company, 1969. Print.

Starkey, David, ed. Rivals in Power. New York: Grove Weidenfeld, 1990. Print.

Weir, Alison.  The Life of Elizabeth I.  New York: Ballatine Books, 1998. Print.

In the Stars

In the Stars

Many believed Henry VII’s well-known interest in prophesy could have stemmed from his Welsh background as the Welsh “follow prophecies, affirming that they are true” (Tremlett 100) and have a “prophetic tradition” (Thornton 15). As discussed in a previous blog, King Henry VI, upon meeting the young Henry, Earl of Richmond, gave a prophecy that he would become king (Bacon, Vergil).

Henry VII did not have a formal Royal Astrologer but Gulielmus Parronus Placentinus, an Italian known in England as William Parron, came close.  Parron is credited, according to an expert at the British Library, with bringing to England the practice of creating astrological almanacs for the nation (Pickup).  Astrology almanacs were compilations of astrological data that was considered useful for physicians and other medical professionals as well as for the general public (Parker).  Evidence shows that Parron received payments from the king, possibly for an early almanac, as seen in the king’s account books from 6 March 1499: “To Master William Paromis an astronymyre £1” (Macalister 301). After making several successful prognostications, Parron presented to Henry, De astrorum succincte vi fatali, (The Fateful Meaning of the Stars) completed on 15 October 1499. In this work Parron ingratiated himself by giving justifications for Henry’s actions on many fronts especially his treatment of Perkin Warbeck and the Earl of Warwick saying that people born under bad stars must die before infecting the country.  A “satisfyingly closed logic, and it satisfied Henry’s conscience” (Penn 38).

Parron’s last known compilation for the Tudor family was a horoscope in late 1502 titled, Liber de Optimo fato Henrici Eboraci ducis et optimorum ipsius parentum, (The Book of the Excellent Fortunes of Henry Duke of York and his Parents). This was less than successful and perhaps why he disappears from official sources.  It is supposed he left England in disgrace after predicting that Queen Elizabeth, Henry VII’s wife, would live until she was 80.  She died shortly thereafter at the age of 37.  As an aside, he also foretold that Prince Henry, the future Henry VIII would have a happy marriage and many sons (Carlin, Penn, Tucker).

The following illustrations are from Parron’s 1502 horoscope and almanac including the cover page, his dedication page and the illustration of Henry VII –note the Tudor roses in the border.

Parron 1503 Almanac  Royal 12 B vi  1v  Royal 12 B vi  2r

Parron was not the only astrologer and scientist to whom Henry offered his patronage.  Dr. Janina Ramirez explained that “Henry VII saw himself as a patron of science and scholarship and in Tudor times astrology was held in high esteem” (Ridgway).  At court was Lewis of Caerleon, physician to Margaret Beaufort, who was valued for his “astronomical and astrological skills, and he received considerable remuneration and generous favours from the monarch” (Pahta 50).  Added to the list of astrologers were John Argentine who “assembled an extensive collection of astrological and astronomical treatises” and was “appointed physician and chaplain” to Prince Arthur, son of Henry VII (Pahta 50); and John Killingworth “perhaps the most important of fifteenth-century English astrologers” (Pahta 51).  Killingworth’s scientific manuscript of planetary data and prophecies was written for Henry VII in 1490.  Another example of Henry’s patronage was the sculptures on the ceilings at Merton College where Bishop Richard Fitzwilliam’s “astrological symbols were next to the royal arms of Henry VII, showing that Henry was ruling not just England but the cosmos. Astrology was the science of the day and was seen as important” (Ridgway).

The strong influence prophecy and astrology held over Henry VII did not diminish throughout the Tudor time-period and was as prominent with his granddaughter, Elizabeth Regina.   Enter John Dee, astrologer, astronomer, mathematician, alchemist, and rumored neocromancer who found time “to dabble in the mysteries of the occult” (Brimacombe 143).  He was a Fellow of Trinity College, Cambridge; an acquaintance to Continental academics, Abraham Ortelius, Gemma Frisius—Court Astrologer to Charles V— and Geradus Mercator; and, a friend to influential people— Roger Ascham, Robert Dudley and Lord Pembroke.  In fact, Dudley and Pembroke introduced him to the 25-year old Elizabeth when she needed to set the date for her coronation.  This auspicious occasion could not just be any day. It would be the birth date of the Elizabethan Age and had to be considered carefully (Bassnett, Brimacombe, Somerset, Watkins).

John Dee      

                                          johndee

John Dee would become an influential member of Elizabeth’s circle (he was a cousin to Blanche Parry, Elizabeth’s gentlewoman, and had been a member of the Duke of Northumberland’s household when Robert Dudley was a youth). By 1564 when he had returned from the Emperor’s Court, Dee was “appointed Royal Adviser in mystic secrets” (Bassnett 63), another way of saying Court Astrologer.  Elizabeth offered him apartments at Court (something most people vied for their entire lives) and he turned her down fearing it would interfere with his studies. Supposedly he “applied himself to his studies with such diligence that he allowed only four hours for sleep, and two for his meals and recreation”  (Nichols 414). He appreciated Elizabeth’s support and acknowledged it:  “Whereupon her Majestie had a little perusion of the same with me, and then in most heroicall and princely wise did comfort and encourage me in my studies philosophicall and mathematicall” (Dee Autobiographical 19).

“In the sixteenth century, the borderline between science and sorcery was often perilously narrow” (Brimacombe 144). The role of natural magic cannot be ignored in the rise of experimental science .  This reminds me of some experiments that science teachers demonstrated when I was in school.  The exploding volcano bordered on magic!  Some authors suspect “Sir Walter Ralegh and his circle of friends practiced sorcery at this infamous ‘School of the Night’ at his home at Sherborne in Dorset” (Brimacmbe 144) and others that it was a gathering to discuss all topics of learning especially religion (Marlowe Society). Dee was very much aware of the links between religious thoughts and the sciences “which fruite and gaine if I attaine unto, it shall encourage me hereafter, in such like sort to translate, and set abroad some other good authors, both pertaining to religion (as partly I have already done) and also pertaining to the Mathematicall Artes” (Dee Mathmatical iii).

Elizabeth, a highly educated, intelligent woman, frequently consulted Dee be it for explanations for comets, a toothache, diet and medicines, navigation (he is reported to have coined the term British Empire) and the dangers to be apprehended from a waxen image of her with a pin struck through its breast, which had been found in Lincoln’s Inn Fields.  Her faith in his abilities also earned him the role as a foreign spy “reporting, in code, to both the Queen and William Cecil on intrigues abroad.  His coded letters were signed using the numerals 007” (Watkins 39).

When Dee was in England, she visited him at his home in Mortlake, Surrey, where he was reputed to have one of the largest private libraries in Europe along with his famous laboratories (Brimacombe, Hibbert, Lipscomb, Watkins). Although it was suggested in some readings that Dee built an astrolabe for Elizabeth, the only evidence found was one made for her by the Flemish instrument maker Thomas Gemini.

Astrolabe known to belong to Elizabeth with enlargement of the inscription.

astrolobe     Astrolabe closeup

Today we would call the Elizabethans superstitious*, not understanding the seriousness in which they took elements of magic, the occult and alchemy.  In fact, I get the impression that many modern writers try to ‘excuse’ Elizabeth’s reliance on Dee by down-playing her interest or referring to her as impressionable. Elizabeth was in good company as there are letters that William Cecil wrote to Edward Kelley, Dee’s colleague for many years when they lived in Europe conducting experiments, to encourage him to return to England with his “powder that could transform base metals into gold” (Bassnett 63).  Even the Archbishop of Canterbury responded to Elizabeth’s fears of assassination and assured her that no harm would come to her so long as her “birth sign, Virgo, was in the ascendant” (Hibbert 72).

Ironically, despite Elizabeth’s beliefs and interests, when it was predicted in 1572 there would be a series of catastrophes after the appearance of a comet, it was reported that “with a courage answerable to the greatness of her state, she caused the window to be set open and cast out this word, jacta est alea, the dice are thrown” (Malcolm 355). Added to this account was the following when there were prophecies circulating about the countryside.  Elizabeth sent out a proclamation in which she “warns all not to be moved by murmurers and spreaders of rumours, the dissemination of which is to be punished as the spreading of sedition (Pollen 340).

Thus is another paradox of Elizabeth Regina:  her pragmatic response to threats to her realm and her embracing prophecies.  When in January 1603 John Dee cast her horoscope and warned her to “beware of Whitehall” (Sitwell 454) she moved to Richmond.  She did so seeing it as a realistic response.  Ironically, it was at Richmond that she died about two months later. Thus the tradition of the Tudors’ consultation with and acceptance of astrologer’s predictions was maintained.

*A consultation with an astrologer in the time of Queen Elizabeth was reported to last about “15 minutes and cost 2s. 6d” (Emerson 264).

Works Cited

Bacon, Francis, and J. Rawson Lumby. Bacon’s History of the Reign of King Henry VII,. Cambridge: University, 1902. Internet Archive. Web. 22 Jan. 2013.

Bassnett, Susan.  Elizabeth I: a Feminist Perspective.  Oxford: Berg Publishers, 1997. Print.

Brimacombe, Peter.  All the Queen’s Men: the World of Elizabeth I.  Stroud: Sutton Publishing, 2000.  Print.

Carlin, Martha. “Parron, William.” Oxford DNB. Oxford University Press, Jan. 2013. Web. 02 Feb. 2013.

Dee, John. Autobiographical Tracts of Dr. John Dee … Ed. James Crossley. [Manchester]: Printed for the Chetham Society, 1851. Google Books. Web. 31 Jan. 2013.

Dee, John. Mathematicall Praeface to Elements of Geometrie of Euclid of Megara. [S.l.]: General, 13 Jul 2007. Project Gutenburg. Web. 31 Jan. 2013.

Emerson, Kathy L. The Writer’s Guide to Everyday Life in Renaissance England : from 1485-1649. Cincinnati, Ohio: Writer’s Digest Books, 1996. Print.

Hibbert, Christopher.  The Virgin Queen: Elizabeth I, Genius of the Golden Age.  New York: Addison-Wesley Publishing Company, Inc., 1991.  Print.

Lipscomb, Suzannah.  A Visitor’s Companion to Tudor England. London : Ebury Press, 2012. Print.

Macalister, J. Y. W., and Alfred W. Pollard, eds. New Series. The Library; a Quarterly Review of Bibliography and Library Lore, Etc. Dec. 1899-Oct. 1909. Vol. IV. London: Alexander Moring, 1913. Third Series. Internet Archive. Web. 4 Feb. 2013.

Malcolm, James Peller. Anecdotes of the Manners and Customs of London from the Roman Invasion to the Year 1700: Including the Origin of British Society, Customs and Manners, with a General Sketch of the State of Religion, Superstition, Dresses, and Amusements of the Citizens of London, during That Period: To Which Are Added, Illustrations of the Changes in Our Language, Literary Customs, and Gradual Improvement in Style and Versification, and Various Particulars concerning Public and Private Libraries. London: Longman, Hurst, Rees, Orme, and Brown, 1811. Google Books. Web. 3 Feb. 2013.

Marlowe Society. “The Free-Thinkers.”: Marlowe & The School of Night. The Marlowe Society, 2012. Web. 01 Feb. 2013.

Nichols, John. The Progresses and Public Processions of Queen Elizabeth. Among Which Are Interspersed Other Solemnities, Public Expenditures, and Remarkable Events during the Reign of That Illustrious Princess. Collected from Original MSS., Scarce Pamphlets, Corporation Records, Parochial Registers, &c., &c.: Illustrated with Historical Notes. New York: B. Franklin, 1823. Google Books. Web. 19 Jan. 2013.

Pahta, Päivi, and Andreas H. Jucker. Communicating Early English Manuscripts. Cambridge: Cambridge UP, 2010. Google Books. Web. 4 Feb. 2013.

Parker, Derek. “Skyscript: The Rise and Fall of the Astrological Almanac by Derek Parker. The Traditional Astrologer Magazine, Dec. 2004. Web. 04 Feb. 2013.

Penn, Thomas.  Winter King; the Dawn of Tudor England.  New York: Penguin Books, 2012. Print.

Pickup, Oliver. “It’s Nostra-dumbass! Astrologer Predicted Henry VIII Would Marry Well and Take Care of the Church.” Mail Online. Daily Mail, 26 Aug. 2011. Web. 03 Feb. 2013.

Pollen, John Hungerford. The English Catholics in the Reign of Queen Elizabeth: A Study of Their Politics, Civil Life, and Government : From the Fall of the Old Church to the Advent of the Counter-Reformation. London: Longmans, Green, 1920. Internet Archive. Web. 30 Jan. 2013.

Ridgway, Claire. “Illuminations: The Private Lives of Kings – Libraries Gave Us Power.” The Anne Boleyn Files RSS. N.p., 24 Jan. 2012. Web. 05 Feb. 2013.

Sitwell, Edith.  The Queens and the Hive.  Harmondsworth: Penguin Books, 1966. Print.

Somerset, Anne. Elizabeth I.  New York: Alfred A. Knopf, 1991. Print.

Thornton, Tim. Prophecy, Politics and the People in Early Modern England. Woodbridge: Boydell, 2006. Google Books. Web. 2 Feb. 2013.

Tremlett, Giles.  Catherine of Aragon: Henry’s Spanish Queen.  London: Faber and             Faber, 2010. Print.

Tucker, M. J. “Life at Henry VII’s Court.” History Today. History Today.com, n.d. Web. 4 Feb. 2013.

Vergil, Polydore. “Full Text of “Three Books of Polydore Vergil’s English History,             Comprising the Reigns of Henry VI., Edward IV., and Richard III. from an Early            Translation, Preserved among the Mss. of the Old Royal Library in the British             Museum”” Full Text of “Three Books of Polydore Vergil’s English History,             Comprising the Reigns of Henry VI., Edward IV., and Richard III. from an Early             Translation, Preserved among the Mss. of the Old Royal Library in the British             Museum” Internet Archive, n.d. Web. 27 Oct. 2012.

Watkins, Susan, and Mark Fiennes. The Public and Private Worlds of Elizabeth I. New York, NY: Thames and Hudson, 1998. Print.

Fit for a King

Fit for a King

The need to express majesty may have been greater in Henry VII and Elizabeth I than in royals contemporary with them or even before and after their reigns.  Both had precarious claims to the throne, both had rivals waiting to step in and both had to project strength to Continental Courts. Henry and Elizabeth used Court ceremonial, dress and jewels and building programs / portraiture to convey their royal dignity.

Henry VII realized the need to show his majesty to the nobles at home and abroad at his coronation.  If he “looked, behaved and ruled like a king, perhaps the exhausted, traumatized country of England would come to believe he was one” (Penn 11). Apparently he succeeded as a contemporary recalled the rejoicing “[f]or whan the kynge … was crowned in all that grete tryumphe & glorye…” (Fisher 306).

One of the greatest ceremonials that Henry VII hosted was the marriage of his son Arthur to Catherine of Aragon in November of 1501.  It is not the scope of this entry to discuss the entire celebrations but it was well-known to have cost a great deal of money with the purpose being to emphasize to the Spanish the affluence and security of his Court.  The Spanish were impressed as were envoys from around Europe. A contemporary who attended the wedding feast described the display of plate which was intended to show Henry’s wealth, “And ye shall understande that in the said halle was ordeyned a cupbourde of 6 stages height, being Tryangled; the which Cupbord was garnysshed w gilt plate, as fflagons, greate pottes, standing, cuppys, and bolles, to a greate value” (Kingsford 250).

Henry VII’s expenses reveal that he did not spare for his attire of which he had a “penchant for expensively dyed black clothes” (Penn 6). Jewelry purchased for large sums of money were of “diverse precious stones and other juells that come from beyond the see” (Norton 147).  Raimondo de’ Raimondi of Soncino, Milanese Ambassador in England, wrote to Ludovico Maria Sforza, Duke of Milan: “His Majesty, in addition to his wonderful presence, was adorned with a most rich collar, full of great pearls and many other jewels, in four rows, and in his bonnet he had a pear-shaped pearl, which seemed to me something most rich” (Hinds).

Henry had an affinity for the European Courts, which is understandable when one thinks of the many years he spent on the Continent, and tried to copy many of their fashions, be it traditions or architecture. Building projects culminated in his stunning chapel at Westminster Abbey, although Richmond Palace, built on the site of the burned Sheen, was also a great showpiece.  Henry spared no expense in providing the palace with tapestries, furnishings and other costly adornments. In fact, Richmond was referred to by contemporaries as …“Riche mount a pun on Henry’s title as Earl of Richmond, and his conspicuous talent for heaping up wealth” (Perry 17).

Richmond 1562
Richmond 1562

Although not as ‘cash rich’ as her grandfather, Elizabeth understood the need to display her majesty at her coronation.  Sir John Hayward, writing his recollections of Elizabeth’s reign, recalled how for her coronation procession she was “most royally furnished, both for her persone and for her trayne, knowing right well that in pompous ceremonies a secret of government doth much consist, for that the people are naturally both taken and held with exterior shewes” (Bruce 15).  And what a show she put on!  C. S. Knighton and Richard Mortimer, while quoting the oft-footnoted Neville Williams’ estimate that the cost of the coronation was £16,742, believe it was closer to £20,000—or about 10% of her annual revenue (Knighton 125).  Since Williams’ figure is the most credited, I used that to calculate the current value of costs:  £4,730.00 using the retail price index or £73,900.00 using average earnings figures*. “We learn that besides the queen’s parliament robe there were provided a kirtle, surcoat, and mantle of crimson velvet furred with ermine, and like robes of purple velvet, also furred with ermine” (Grindal).

Westminster
Westminster Abbey

As queen, Elizabeth had gowns from all over Europe and was described by a German visitor, Heutzner, as “very majestic” (Ripley 317). Her wardrobe was extensive and famous.  Not only were the dresses and sleeves made of costly fabrics such as satin and velvet (her favored color scheme was of black and white), they were also embellished with gold braid, fur (mink) and precious gems.  The French were impressed with the number of pearls on her gowns saying that “…all the other princes of Christendom had not the like quantity of pearls of that sort” (Somerset 360). Elizabeth loved clothes and realized “the part which external magnificence could play in propagating an image of regality and power…” (Somerset 357).

Her jewels were beyond compare as she had at her disposal the wealth which her father had accumulated from the dissolution of the monasteries and the rings, pendants, necklaces and bracelets she acquired.  of her ostentatious display.  Andre de Maisse, the French Ambassador to her Court, wrote to Henry IV of her ostentatious display that she “wore innumerable jewels on her person, not only on her head, but also within her collar, about her arms and on her hands, with a very great quantity of pearls, around her neck and on her bracelets”…(Erickson 389). Another Ambassador of Venice, Giovanni Scaramelli, described her gown of silver and gold which “showed her throat encircled with pearls and rubies….”  Elizabeth “wore great peals like pears round the forehead.  She had a vast quantity of gems and pearls upon her person; even under her stomacher she was covered with golden jeweled girdles and single gems, carbuncles, balas-rubies and diamonds.  Round her wrists in place of bracelets she wore double rows of pearls of more than medium size” (Perry 316).

demassie                                         sforza
Attributed as  Andre de Maisse            Giovanni Scaramelli, 
Ambassador to France                           Ambassador to Venice

As Roy Strong reminds us, the purpose of state portraits was to “depict a ruler accompanied by the full panoply of state …posed in a majestic and grave manner…” (Strong 37). Elizabeth knew she needed portraiture “designed to emphasize the legitimacy of the Tudor right to the throne” (Strong 12) and this was demonstrated in the painting, The Allegory of the Tudor Succession, 1572.  It is well-known that the images approved by Elizabeth Regina were not intended to imitate her features true to life.  State portraiture was to convey her majesty, power and successes.

Although other rulers of the era used similar elements such as dress and ceremonies to project royal imagery, Henry VII and Elizabeth I understood their particular need to convey the legitimacy of their power.

*Used the calculator at Measuringworth http://www.measuringworth.com/ppoweruk/

 

Works Cited

Erickson, Carolly. The First Elizabeth. New York: Summit Books. 1983. Print.

Fisher, John. The English Works of John Fisher, Bishop of
Rochester.
London: Published for the Early English Text
Society by Trübner, 1876. Google Books. Web. 24 Nov. 2012.

Grindal, Edmund. The Remains of Edmund Grindal: Successively Bishop of London and Archbishop of York and Canterbury. Cambridge [England: Printed at the UP, 1843. Google Books. Web. 21 Nov. 2012.

Hayward, John, and John Bruce. Annals of the First Four Years of the Reign of Queen Elizabeth. London: Printed for the Camden Society by J.B. Nichols and Son, 1840. Google Books. Web. 24 Nov. 2012.

Hinds, Allen, ed. “Milan: 1497.” Calendar of State Papers and Manuscripts in theArchives and Collections of Milan: 1385-1618. (1912): 310-341. British History Online. Web. 24 November 2012.

Kingsford, Charles Lethbridge. Chronicles of London (1189-1509). Oxford: Clarendon, 1905. 234-50. Google Books. Web. 21 Dec. 2012.

Knighton, C. S., and Richard Mortimer. Westminster Abbey Reformed: 1540-1640. Aldershot, Hants, England: Ashgate, 2003. Google Books. Web. 25 Nov. 2012.

Norton, Elizabeth.  Margaret Beaufort: Mother of the Tudor Dynasty.  Stroud: Amberley, 2010. Print.

Penn, Thomas.  Winter King; the Dawn of Tudor England.  New York: Penguin Books, 2012. Print.

Perry, Maria.  The Word of a Prince: A Life of Elizabeth from Contemporary Documents. Woodbridge, Suffolk: The Boydell Press, 1990.  Print.

Ridley, Jasper. Elizabeth I: The Shrewdness of Virtue.  New York: Fromm International Publishing Corporation, 1989.  Print.

Somerset, Anne. Elizabeth I.  New York: Alfred A. Knopf, 1991. Print.

Strong, Roy C. Gloriana: The Portraits of Queen Elizabeth I. London: Pimlico, 2003. Print.