Elizabeth Regina: Her Mother’s Memory

Posted on January 20, 2014 by jodmcp

Elizabeth: Her Mother’s Memory

Elizabeth at the age of two years and eight months upon the death of her mother, probably never had concrete recollections of her mother Anne Boleyn. There is no evidence that Anne Boleyn was mentioned by any of Elizabeth’s household members during her childhood. It is pure speculation as to which adults told the youngster about her mother and when she would have possibly learned about Anne’s execution and the scandalous reasons for it. There are plenty of assumptions that Henry had placed a moratorium on the subject of Anne Boleyn which would not be implausible, but what is conjecture is based on the fact that Elizabeth was confined to her estate because Henry could not bear the sight of her and wanted no remembrance of her or her mother. We know Sir John Shelton assured Cromwell on Wednesday 16 August 1536 from Hunsdon that he would ensure “the King’s pleasure that my lady Elizabeth shall keep her chamber and not come abroad, and that I shall provide for her as I did for my lady Mary when she kept her chamber” (Gairdner XI 312). We know Elizabeth remained secluded at Hunsdon; we just do not know why—it could have been Henry trying to protect her from court gossip.

Thomas Cromwell

Lady Bryan, in August 1536, had already questioned Cromwell on the status of her charge. “Now, as my lady Elizabeth is put for that degree she was in, and what degree she is at now, I know not but by hearsay, I know not how to order her or myself, or her women or grooms” (Gairdner XI 203). Obviously, there was some confusion in her household. Even Elizabeth was confused; when a gentleman of her household, often identified as either Sir John Shelton or Sir Thomas Bryan, referred to her by the demoted title of Lady Elizabeth, she responded “how haps it, Governor, yesterday my Lady Princess, and today but my Lady Elizabeth?” (Hibbert 20). An astute child such as this would have understood the danger of asking questions about her mother or even mentioning her.

There are only two recorded times when Elizabeth mentioned her mother in public. One was when she was 20 and hinted to the Spanish ambassador that she was disliked by Mary because of the distress her mother had caused. The second was when she informed the Venetian ambassador that her mother would never have cohabitated with the king without the ties of matrimony (Weir The Children of Henry VIII 7). Is this anemic display evidence that she did not have any feelings for her mother or that she did not want to be associated with Anne? Probably not. It would not have been politically wise for Elizabeth to be linked too often and too closely with Anne Boleyn so one can understand the lack of mention by an aware and intelligent child. This did not mean complete elimination of connections and when she was more secure as queen, several examples are in evidence of her identification with her mother although the earliest example comes when she was about ten.

Princess Elizabeth

This early example was when she wore the ‘A’ necklace in the painting, “The Family of Henry VIII.” Supposedly this was “one of Anne Boleyn’s initial pendants” that was inherited from Elizabeth’s mother (Weir Lady in the Tower 306).

Jewelry was one way that Elizabeth showed her relationship with her mother.
Anne Boleyn was said to have three pendants of initials; an “A”, a “B”, and an “AB”. The “B” necklace is the most famous and is in portraits displayed at the National Portrait Gallery and Hever Castle more readily validated as representative of Anne. The “AB” is perhaps in a less famous painting; one not completely authenticated as Anne, and is referred to as the Nidd Hall portrait.

Anne Boleyn, National Portrait Gallery

Anne Boleyn, ‘Hever Castle Portrait’ a copy of the lost original painted in 1534

Anne Boleyn, ‘Nidd Hall Portrait’ with the pendent of ‘AB’ hanging upon her gown
It is claimed that Elizabeth was wearing the “A” necklace in “The Family of Henry VIII” painting that hung in Hampton Court. (Weir Henry VIII: The King and His Court 187). This blogger must disagree with some reports that she was wearing the necklace in defiance of her father. He had full control of all of his public imagery. I cannot imagine the artist risking his life, quite literally, by painting in the “A” if it was not sanctioned by Henry. It is hard to imagine that Elizabeth would so blatantly wear this piece of jewelry without Henry’s permission. This blogger could start an unsupported theory that this could be the cause of Elizabeth’s exile from 1543 to 1544 (see blog entry “The Fourth Step-Mother of Elizabeth, Katherine Parr” at https://elizregina.com/2013/06/04/the-fourth-step-mother-of-elizabeth-katherine-parr/). This is clearly on a weak foundation considering the painting, according to Roy Strong, was completed between 1543 -1547. If Henry became incensed enough to banish his daughter for wearing an inherited item of jewelry from her disgraced mother, surely he would have ordered it painted out of the completed picture. Perhaps allowing Elizabeth to display this necklace was a kind gesture on the king’s part or it was a tactic wanting everyone to associate the girl with her mother and her illegitimacy, in contrast to the legitimate heir next to him.

The Family of Henry VIII

An enlargement obtained by Flickr of the princesses

Apart from the wearing of one of Anne Boleyn’s necklaces, another piece of jewelry associated with Elizabeth and her mother is the Chequers ring. Dated to around 1575 the Chequers Ring, thus named as it is now in the possession of that estate, clearly has a diamond encrusted ‘E’ and ‘R’ on the face. The locket opens to reveal a portrait of Elizabeth and an unidentified woman, usually and logically identified as Anne Boleyn; although, speculation ranges from it being a younger Elizabeth to Katherine Parr. The history of the ring is too sketchy for this blogger to comfortably say that Elizabeth commissioned it as opposed to a courtier. It is also difficult to agree with Weir, and many other writers who claim the ring “was only removed from her finger at her death, when it was taken to her successor, James VI of Scotland, as proof of her demise” (Weir Lady in the Tower 306). There is no definitive proof that Elizabeth constantly wore the ring or that it was the particular jewel taken to Scotland by Robert Carey.

Chequers ring–this blogger was fortunate to see this locket ring at “Elizabeth: The Exhibition at the National Maritime Museum” in Greenwich on August 8, 2003.

Another way Elizabeth linked to her mother was the use of her mother’s heraldic badge the crowned falcon upon a tree stump, surrounded by Tudor roses. Although this was not implemented consistently as Elizabeth’s badge, there are several places it is displayed and on several items such as her virginal. The spinet “bears the royal coat of arms and the falcon holding a scepter, the private emblem of her mother, Anne Boleyn” (“The Queen Elizabeth Virginal”). It is also speculated that Elizabeth adopted one of Anne’s mottoes, Semper eadem. This is discussed on the blog “Said it, Believed it, Lived it” at https://elizregina.com/2013/06/25/said-it-believed-it-lived-it/.

Virginal of Elizabeth I, the Boleyn badge is on the left.

Elizabeth continued her links with her mother by promoting members of Anne’s household staff, Matthew Parker as Archbishop of Canterbury and relatives; notably the Careys, Knollyse, Sackvilles and even Howards until their alliance to Catholicism made it politically impossible. Anne was also commemorated in a biography by William Latymer and in an unfinished treatise by George Wyatt (Weir, The Lady in the Tower 307-308).

A way in which Elizabeth kept her mother’s influence alive was in her understanding of the benefits and necessity of display. “Between Anne and Elizabeth there was an uncanny similarity of attitude towards the projection of monarchy, and of themselves as chosen by God to rule” (Ives 218). It is estimated Anne spent £40* a month mostly on clothes for herself and Elizabeth (Ives 217). Had Anne lived, her wardrobe would have “rivalled the 2000 costumes which tradition assigns to that most fashion-conscious of monarchs, her daughter Elizabeth” (Ives 253). Catholic chronicler, Nicholas Sander, no friend of Anne’s, conceded that she “was always well dressed, and every day made some change in the fashion of her garments” (Sander 25).

Anne has been criticized for having such an active interest in her daughter’s wardrobe; one wonders if this was an area in which she could direct her wishes and so she did. Taking an inordinate amount of care in the purchase of materials and the ordering of garments for her child was perhaps the method of bestowing attention that was socially and politically acceptable for Anne.

We have a dispatch that Sir William Loke, mercer and merchant adventurer who supplied the king with clothes of gold, silver and other luxurious fabrics and performed diplomatic missions on his buying trips abroad, wrote personally to the king in February 1534: “The sale of cloths by your subjects has been good, but money is scarce. I trust I have done my best to provide such things as the Queen gave me commission for” (Gairdner VIII 197). Loke kept extensive account records (published in the text, An Account of Materials Furnished for Use of Queen Anne Boleyn and the Princess Elizabeth, by William Loke ‘the King’s Mercer’ Between the 20^th January 1535 [27^th year of Henry VIII], and the 27^th April 1536. Communicated by J. B. Heath) which reveal clothing being sent to the princess. It was obvious that the “king’s heir, who was not yet three years old, was quite properly to be dressed in fashionable and expensive clothing” (Warnicke 170).

An example of elaborate clothing worn by Elizabeth in the ‘Armada Portrait’.

In Anne’s account books of May 19, 1536, are entries for payment for “boat-hire form Greenwich to London and back to take measure of caps for my lady Princess, and again to fetch the Princess’s purple satin cap to mend it.” Anne, apparently, was especially fussy about her daughter’s caps: this particular one required at least three journeys to Greenwich to get it right” (Ives 253). Included in the accounts was “an ell of ‘tuke’ and crimson fringe for the Princess’s cradle head.” Added to this finery was “a fringe of Venice gold and silver for the little bed.” Included were more assorted caps, white, crimson, purple and a “cap of taffeta covered with a caul of damask gold for the Princess” (Gairdner X 913).

Queen Anne Boleyn never had a full say in her child’s upbringing. That was the business of the king and his council. Famously, when it came to decide if Elizabeth should be weaned, her governess wrote to Thomas Cromwell for permission (Warnicke 170). We do know from William Latymer, chaplain to Anne Boleyn who wrote Chronickille of Anne Bulleyne during the reign of Elizabeth, reported that Anne “had wanted her child, as her elder half-sister had been, trained in classical languages” (Warnicke 171). When Anne realized that she was in serious danger of losing her life she gave unto Matthew Parker, her devoted chaplain and later Archbishop of Canterbury during the reign of Elizabeth, the care of her child. This move can be seen as her wish for Elizabeth to have not only a classical education but also a more evangelical religious upbringing.

Matthew Parker, Archbishop of Canterbury during the reign of Elizabeth

Besides directing Elizabeth’s wardrobe and directing her education, how else did Anne bestow attention on her daughter? This is impossible to know. Following standards of the day, Elizabeth was removed from her parents’ household when she was three months old. She was sent to her own residence, Hatfield, with a wet-nurse and her governess, Margaret Bourchier, Lady Bryan. “Here and at Hunsdon in Hertfordshire the princess spent much of her childhood although, like her parents, she traveled from house to house, staying in such places as Richmond, Eltham, Langley,and the More” (Warnicke 170). Contemporary records indicate that Anne did visit regularly as we see from a letter written by Sir William Kyngston, courtier and Constable of the Tower of London, to Lord Lisle, Arthur Plantagenet on 18 April 1534. “To day the King and Queen were at Eltham, and saw my lady Princess, as goodly a child as hath been seen and her grace is much in the King’s favour as goodly child should be, God save her” (Gairdner VII 509).

The visits were not always private, as we would assume between a mother and her child as Eustace Chapuys mentions in a dispatch to Charles V on 24 October 1534. “On Thursday, the day before yesterday, being at Richmond with the little lass (garce) the Lady came to see her said daughter, accompanied by the dukes of Norfolk and Suffolk and others, including some of the ladies, which was a novelty” (Gairdner VII 1297). Besides these visits, Anne was in contact with Lady Bryan through letters concerning the care of Elizabeth (Ives 256). A response to a request from Elizabeth’s household officers to the Council was sent in a packet with “letters to them, and one from the Queen to lady Brian” (Gairdner IX 568).

Richmond Palace, 1562

Speculation is futile regarding the feelings both mother and daughter felt for each other; no written records exist. Anne, following the social dictates and court etiquette of the day, rarely saw her daughter. Not only was Elizabeth reared by people other than her parents, she was physically removed from them, as was her siblings so some people placing emphasis on the fact she was taken to Hatfield at the age of three months was proof her mother was as disappointed as her father in her birth. Henry’s treasured heir, Edward, was also reared in a separate household. Evaluation of those persons surrounding the infant Elizabeth does lend itself to assume a strong influence of Anne. Many had Boleyn connections: Lady Margaret Bryan was not only Princess Mary’s former governess but related to Anne as they shared a maternal grandmother; Lady Shelton, also from Princess Mary’s household and given charge of the combined establishment of Mary and Elizabeth was Anne’s Aunt; and Kat Ashley nee Champernowne was married to Anne’s cousin. After Anne Boleyn’s execution, Henry did not alter the positions of these people closest to Elizabeth. He too must have trusted them and was not worried about how Anne would be portrayed to their daughter by ‘Boleyn’ servants. Elizabeth would later comment that “we are more bound to them that bringeth us up well than to our parents… our bringers-up are a cause to make us live well in [the world]” (Marcus 34).

*£40 from 1535 would be £19,000.00 using the retail price index or£266,000.00 using average earnings based on calcualtions from the “Measuring Worth” website.

References:

Brewer, J. S. (editor). “Henry VIII: November 1517.” Letters and Papers, Foreign and Domestic, Henry VIII, Volume 2: 1515-1518 (1864): 1183-1198. British History Online. Web. 29 June 2013.

Burnet, Gilbert. The History of the Reformation of the Church of England. Vol.I Part I. London: W. Baynes and Son, 1825. Google Books. Web. 3 July 2013.

Gairdner, James. (editor). “Henry VIII: April 1534, 16-20.” Letters and Papers, Foreign and Domestic, Henry VIII, Volume 7: 1534 (1883): 199-210. British History Online. Web. 29 June 2013.

Gairdner, James (editor). “Henry VIII: February 1535, 11-20.” Letters and Papers, Foreign and Domestic, Henry VIII, Volume 8: January-July 1535 (1885): 75-98. British History Online. Web. 29 June 2013.

Gairdner, James (editor). “Henry VIII: October 1535, 6-10.” Letters and Papers, Foreign and Domestic, Henry VIII, Volume 9: August-December 1535 (1886): 181-195. British History Online. Web. 29 June 2013.

Gairdner, James (editor). “Henry VIII: February 1536, 1-5.” Letters and Papers, Foreign and Domestic, Henry VIII, Volume 10: January-June 1536 (1887): 82-98. British History Online. Web. 01 July 2013.

Gairdner, James (editor). “Henry VIII: August 1536, 16-20.” Letters and Papers, Foreign and Domestic, Henry VIII, Volume 11: July-December 1536 (1888): 130-138. British History Online. Web. 28 June 2013.

Hibbert, Christopher. The Virgin Queen: Elizabeth I, Genius of the Golden Age. New York: Addison-Wesley Publishing Company, Inc., 1991. Print.

Ives, Eric. The Life and Death of Anne Boleyn: The Most Happy. Oxford: Blackwell Publishing, 2004. Print.

Marcus, Leah S. et al., eds. Elizabeth I: The Collected Works. Chicago: University of Chicago Press, 2002. Print.

“The Queen Elizabeth Virginal.” V&A Images Collection. Victoria and Albert Museum, n.d. Web. 03 July 2013.

Ridgway, Claire. The Fall of Anne Boleyn: A Countdown. UK: MadeGlobal Publishing, 2012. Print.

Sander, Nicholas, and Edward Rishton. Rise and Growth of the Anglican Schism. Trans. David Lewis. London: Burns & Oates, 1877. Google Books. Web. 28 June 2013.

Somerset, Anne. Elizabeth I. New York: Alfred A. Knopf, 1991. Print.

Warnicke, Retha. The Rise and Fall of Anne Boleyn: Family Politics at the Court of Henry VIII. Cambridge: Cambridge University Press, 1989. Print.

Weir, Alison. The Children of Henry VIII. New York: Ballantine Books, 1996. Print

Weir, Alison. Henry VIII: The King and His Court. New York: Ballatine Books, 2001. Google Books. Web. 30 June 2013.

Weir, Alison. The Lady in the Tower: The Fall of Anne Boleyn. London: Jonathan Cape, 2009. Print.

Said it, Believed it, Lived it

Posted on June 25, 2013 by jodmcp

Said it, Believed it, Lived it: Mottoes of Elizabeth Regina

A motto is a short sentence or phrase used to formally summarize or encapsulate the beliefs, motivations, intentions or ideals of an individual, group or institution. Often the motto can become a rule by which someone lives her or his life. Although a motto can be in any language, Latin is the one mostly used in the Western world.

William Camden, an Officer of Arms under Queen Elizabeth who wrote a history of her reign at the suggestion of Lord Burghley, William Cecil, has become an excellent source for emblems and heraldic arms of the Tudor era although he does not always quote the motto nor offer explanations (Daly 5). Camden has given his ideal of a motto accompanying heraldry. He assures us that the picture is the body “and the Motto, which as the soul giveth it life. That is, the body must be of fair representation, and the word in some different language, witty, short, and answerable thereunto; neither too obscure, nor too plain, and most commended when it is an Hemistich, or parcel of a verse” (Camden Remaines 366-367).

Coat of Arms of Henry VIII

An official definition of motto is as follows: “A sentence added to a device (Ital. –L) L. muttium, mutter, a grunt, a muttered sound; cf. mutire, muttire, to mutter, mumble” (Skeat 387). Therefore, in heraldry, a motto is shown on a shield as part of a coat of arms. In English heraldry in particular, the motto is not granted with the armorial bearings and can be changed.

Members of Tudor upper society certainly embraced the custom of using mottoes and “subjects adopted them as expressions of loyalty” (Cannon 253). Below are briefly the mottoes of Henry VIII, his wives and his children with expanded explanations on the mottoes of Elizabeth and her mother, Anne Boleyn to follow.

Tudor Mottoes

Henry VIII Dieu et mon droit —God and my right

Katherine of Aragon Humble and loyal

Anne Boleyn The Most Happy
Jane Seymour Bound to Obey and Serve

Anne of Cleves God send me well to keep

Catherine Howard Non aultrevolontè que le sinne —No other will than his

Katherine Parr To be useful in all I do

Edward VI Dieu et mon droit —God and my right
Modus et Ordo —Method and Order

Mary I Veritas filia temporis —Truth, daughter of time

Elizabeth Regina Semper Eadem — Always the Same
Video et taceo —I see and say nothing

Royal British mottoes can be a bit confusing. All Knights of the Garter may use the motto, Honi soit qui mal y pense, [Shamed be he who thinks evil of it] added to their heraldry. Also, the sovereign will use, Dieu et mon droit, [God and my right] on a scroll beneath the shield of the royal coat of arms. This motto has been attributed to Richard I Lionheart as a battle cry and has been used officially since the time of Henry V. Obviously, this refers to the monarchs’ divine right to rule.

Clock given to Anne Boleyn by Henry VIII at the time of their marriage. The weights are engraved with the initials ‘H’ and ‘A’ and also the mottoes “Dieu et Mon Droit” and “The Most Happy”.

Alternatively, the Royal Arms may depict a monarch’s or consort’s personal motto and may appear on many buildings, possessions, documents, and in more modern times on products—those purveyors who have earned the Royal Warrant. More on that topic in another blog entry. Often its use is done for dynastic glorification as illustrated in the cup Henry VIII commissioned by Hans Holbein as a wedding gift to Jane Seymour. Jane’s motto “Bound to obey and serve” is repeated on the lid and on the base. The bridal pair’s initials adorned the cup. “Its submissive tone was fairly typical for queen consorts, but it also reflects Jane’s personality and helps explain why she was so attractive to Henry” (Doran Man & Monarch 189).

Cup designed by Hans Holbein for Jane Seymour with her motto on the lid and base

Reigning between queens with mottoes conveying humility and obedience-Katherine of Aragon’s “Humble and loyal” and Jane’s “Bound to obey and serve”-comes Anne Boleyn whose motto was the bold “The most happy”. Anne adopted this motto as her coronation approached. She had reason to be “the moost happi”: she had married a supportive and affectionate Henry, she was expecting his child (convinced it was the longed-for male heir), and she had managed to institute several religious changes in the country.

Anne Boleyn’s medal inscribed around with THE MOOST HAPPI ANNO 1534 and A.R. for Anne Regina next to her portrait

Although some sources attribute the motto “Me and mine” to Anne, this blogger never found true evidence of it. One motto she adopted in 1530 before she was queen, Aisi sera groigne qui groigne meaning “Let them grumble; that is how it is going to be!” (Ives 141). This motto had quite a story attached to it.

Paul Friedman was quoting Pascual de Gayangos’ Calendar of State Papers, Spain Vol. 4, Part 2, page 41, which stated that Anne, to show her “contempt for those who opposed her, chose a device which she had heard in France, but which she only partially remembered, Ainsi sera, groigne qui groign! was embroidered on the liveries of her servants” (Friedman 128). Her arrogance and defiance did not last long.
To her mortification, and to Eustace Chapuys’ glee, she learned that she had “adopted the motto of her bitter enemies, the princes of the house of Burgundy. ‘Groigne qui groigne’, she heard it repeated, “et vive Bourgoigne!’ The liveries had to be laid aside, and Anne’s servants on Christmas Day appeared in their old doublets” (Friedman 128).

Such a blatant alteration of an Imperialist motto was hardly the way to win supporters at Court and gain Anne acceptance as the replacement of a highly-respected Habsburg queen (Ives 142-143).

The Boleyn cup 1535-36 in St. John the Baptist Church in Cirencester with motto “The Most Happy.” Elizabeth inherited this beautiful from her mother and in turn gave it to her physician Richard Master who presented it to the church.

Another motto, Semper eadem, [Always the same], was said to be used by Anne (Weir 324). This blogger could not find primary source evidence to support Anne’s use of this maxim. It was a well-known motto adopted by Anne’s daughter, Elizabeth, when she became queen. This particular motto appears to be associated with the quality of constancy. Elizabeth’s constancy can be shown in her willingness to maintain a steadfast government during the transition between her reign and her sister’s. See the blog entry https://elizregina.com/2013/04/09/reigned-with-your-loves/ for a list of Marian councilors retained by Elizabeth. Perhaps Elizabeth adopted it for simply sentimental reasons to form a link to her mother. Another view of this motto reveals it to be a pledge that Elizabeth would not change her religious faith (Collinson 1549).

Coat of Arms of Elizabeth Regina with motto, Semper eadem.

With the childhood fraught with uncertainty and constant change perhaps this motto was a rule in which Elizabeth preferred to live. It does imply an avoidance of any surprise, uncertainty or disruption. Could a sovereign associated with such changes that supported exploration, encouraged the Arts and introduced religious reform prefer the status quo?

William Camden deemed Elizabeth’s main care upholding the Protestant faith and her “second care was, to hold an even course in her whole life, and all her actions: whereupon she tooke for her Motto, Semper eadem, that is, Alwayes the same. The rest of her counsels consisted in these points” (Camden Annales 20). There is some disconnect between this motto and her well-known impulsiveness, indecision and secrecy.

Shield and motto of Queen Elizabeth I by Simon de Passe in the NPG Collection

Elizabeth I–obverse of shield and motto line engraving in the NPG collection

Elizabeth’s habit of covering her actions and motives was admired by Camden. When explaining her second motto, Camden discussed her methods “Which notwithstanding Queene Elizabeth dissembled and concealed with silence, according to that motto which she used, video et taceo, that is, I see and say nothing” (Camden Annales 307).

“I see and say nothing” has been termed a political motto used by Elizabeth. With her impressive humanist education, this motto could be of ancient historical significance or it could be a practical methodology employed by Elizabeth. No sources that this blogger has discovered definitively explain Elizabeth’s selection of this motto. An examination of them suggests a link to the equation of Elizabeth’s style with Cicero’s, an acquired maxim from Lady Tyrwhitt, a reflection of her moderate religious policy or a connection to Francis Walsingham’s spy network. More recent authors have interpreted that the use of Elizabeth’s mottoes, Video et taceo, and Semper eadem “alludes to an important feature of prudence, which is that it encompasses the knowledge of when to speak and when to keep quiet” (Broad 34).

The Plimpton “Sieve” Portrait of Elizabeth I, by George Gower, 1579. The sieve alludes to the myth of Tuccia, a roman Vestal Virgin who proved her virginity and prudence by carrying water with a sieve. The coat of arms and the motto in the top right Honi soit qui mal y pense / Semper eadem [Shamed be he who thinks evil of it / Always the same] are the motto of the Order of the Garter and the personal motto of Elizabeth Regina.

What does come to mind to this blogger is the ‘Rainbow’ portrait of Elizabeth with the eyes and ears embroidered on her gown. The poet John Davies refers to the ears and eyes as how the Queen uses her servants for a sketch he wrote during the Queen’s visit to William Cecil’s house, Theobalds, in 1591. When asked what use Elizabeth makes of her servants the reply was “She makes the same use of them as the mynde makes of the sences. Many things she sees and heares through them; but the judgment and election is her owne” (Nichols 77). Elizabeth clarified her right to rule and have good counsel early in her reign, “I shall desire you all, my lords, (chiefly you the nobility, everyone in his degree and power) to be assistant to me that I, with my ruling, and you with your service, may make a good account to Almighty God and leave some comfort to our posterity on earth. I mean to direct all my actions by good advice and councel” (Marcus 52). Through further research I discovered this idea of Elizabeth’s relationship with her advisors and her motto was further explored by Mary Thomas Crane.

The “Rainbow” portrait attributed to Marcus Gheeraerts the Younger, 1600-1603.

Professor Crane begins her article “Although one of her mottoes, ‘semper eadem,’ seems to claim a fundamental unity of character, Queen Elizabeth I nevertheless presents us with an array of poses and personae” (Crane 1). How true. Students of Elizabeth Regina are familiar with her paradoxically presenting an image of absolute patriarchal power and one of a ‘weak and feeble woman’. How did Elizabeth maneuver within the Privy Council composed of men whose views were the by-products of a time period when authority and advice-giving were the realm of males? This was an era that considered “Kings were creatures defined by ancient custom; but queens, however loved and admired, were unpredictable” (Loades 318).

The use of the term ‘video’ assures that Elizabeth will listen and evaluate the advice to make up her own mind, as opposed to ‘audio’ that implies she will “accept blindly her advisors’ spoken counsel” (Crane 2). In an era when women were to remain silent and obedient, ‘taceo’ insinuates that “as queen, she will maintain the silence thought suitable for a woman …” (Crane 2). The motto encapsulates the fine line Elizabeth struck between asserting her authority and accepting advice from her Council.

She could be silent and allow her statesmen such as Burghley the role of respected advisor and she could be vocal and affirm her authority. Crane sees Elizabeth’s motto, Video et taceo, as more of the way she uses the political system and her “use of the paradigm of advice-giving reveals a woman who was less completely bound by male structures than some critics have argued” (Crane 2). Elizabeth “despite her motto, did not always remain silent…. Her skillful use of the humanist rhetoric of authoritative counsel allowed her to break silence and speak the language of authority as a uniquely powerful woman in a man’s world” (Crane 12).

One can suppose she did not believe her own contradiction to her motto when she teasingly responded to the French Ambassador after he had praised her linguistic skills, “There is no marvel in a woman learning to speak, but there would be in teaching her to hold her tongue.”

References

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“Arms of Tudors; Arms of Henry VIII; Arms of Edward VI.” Victoria and Albert Museum Collections. Victoria and Albert Museum, n.d. Web. 17 June 2013.

Broad, Jacqueline and Karen Green. Virtue, Liberty, and Toleration: Political Ideas of European Women, 1400-1800. Dordrecht, The Netherlands: Springer, 2007. Google Books. Web 21 Jun 2013.

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Camden, William. Remaines concerning Brittaine: But Especially England, and the Inhabitants Thereof: Their Languages, Names, Syrnames, Allusions, Anagrammes, Armories, Moneys, Empresses, Apparell, Artillerie, Wise Speeches, Prouerbes, Poesies, Epitaphs. London,: Simon Waterson, 1605. Google Books. Web. 21 June 2013.

Cannon, John and Ralph Griffiths. The Oxford Illustrated History of the British Monarchy. Oxford: Oxford University Press, 1988. Print.

Collinson, Patrick. Elizabeth I. Oxford: Oxford University Press, 2007. Google Books. Web. 16 June 2013.

Crane, Mary Thomas. “Video Et Taceo”: Elizabeth I and the Rhetoric of Counsel.” Studies in English Literature 1500-1900 28.1 (1988): 1-15. GeoCities, 2001. Web. 20 June 2013.

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Eakins, Laura. “Elizabeth I’s other motto.” TudorHistory. Google+Page, 20 Feb. 2012. Web. 17 June 2013.

Eakins, Laura. “Meaning of Anne Boleyn’s motto.” TudorHistory. Google+Page, 31 Dec. 2009. Web. 19 June 2013.

Friedmann, Paul. Anne Boleyn: A Chapter of English History 1527-1536. London: Macmillian and Co., 1884. Internet Archive. Web. 21 Jun 2013.

de Gayangos, Pascual (editor). “Spain: January 1531, 21-31.” Calendar of State Papers, Spain, Volume 4 Part 2: 1531-1533 (1882): 31-47. British History Online. Web. 22 June 2013.

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Lloyd, Christopher and Simon Thurley. Henry VIII: Images of a Tudor King. London: Phaidon Press Limited, 1990. Print.

“Medallion: Arms of Henry VIII and Jane Seymour” Victoria and Albert Museum Collections. Victoria and Albert Museum, n.d. Web. 17 June 2013.

Nichols, John. The Progresses and Public Processions of Queen Elizabeth. Among Which Are Interspersed Other Solemnities, Public Expenditures, and Remarkable Events during the Reign of That Illustrious Princess. Collected from Original MSS., Scarce Pamphlets, Corporation Records, Parochial Registers, &c., &c.: Illustrated with Historical Notes. New York: B. Franklin, Vol 3, 1823. Google Books. Web. 19 Jan. 2013.

Ross, Josephine. The Tudors, England’s Golden Age. London: Artus, 1994. Print.

Starkey, David. Henry VIII: A European Court in England. New York: Cross River Press, 1991. Print.

Strong, Roy C. Gloriana: The Portraits of Queen Elizabeth I. London: Pimlico, 2003. Print.

Wagner, John. Historical Dictionary of the Elizabethan World: Britain, Ireland, Europe, and America. New York: Checkmark Books, 2002. Print.

Warnicke, Retha. The Rise and Fall of Anne Boleyn: Family Politics at the Court of Henry VIII. Cambridge: Cambridge University Press, 1989. Print.

Announcing Elizabeth’s Birth

Posted on June 18, 2013 by jodmcp

Elizabeth’s Birth Announcement:

In the summer of 1533, as the birth of the child of Henry VIII and Anne Boleyn drew nearer, a courtier, John Russell, wrote in a letter to Lord Lisle, Captain of Calais, that he “never saw the King merrier” (Nichols 443). The royal couple were at Windsor until 21 August when they traveled to Whitehall. From there on 26 August, they moved to Greenwich where Anne was to take to her chamber. This required a formal ceremony to be performed. Anne went in procession to the Chapel Royal to hear mass, then to her Great Chamber. She and her guests dined and then ate ceremoniously from a “goodly spice plate…of spice and comfettes.” The Lord Mayor of London provided “a cuppe of assaie of gold, and after that she had dronke, she gave the Maior the cuppe.” Once the refreshments were partaken of, Anne “under her Canapie, departed to her Chamber” and at the entry of her chamber, she gave her Canopy of State to the barons “accordyng to their clayme” (Hall 805). Anne’s Lord Chamberlain called for all to pray for the safe delivery of her child and then Anne and her women entered her chamber” (Hall 805).
King Henry VIII Queen Anne Boleyn

Anne’s chambers would have been altered tremendously to create the lying-in chamber to provide enough storage for multiple weeks of supplies and baby items. Included would have been furniture: beds for the birth, recovery and ceremonies, and the baby cot; plus blankets, pillows and bedding. An altar for religious services would have been included along with candlesticks, crucifixes and religious images. Tapestries would have covered the walls, ceiling and all windows except for one. Alison Weir stated that the tapestries showed St. Ursula and her 11,000 virgins (Weir Six Wives 257). David Starkey, on the other hand, informed that the tapestries would not have depicted animals or humans as that could trigger fantasies in the mother-to-be and lead to a deformed child (Starkey Elizabeth 2). Regardless of the decoration themes, one can envision the chamber as being a “cross between a chapel and a luxuriously padded cell” (Starkey Elizabeth 2).

Greenwich 1533

William Blount, 4^th Baron Mountjoy, Chamberlain to Catherine of Aragon sent to his counterpart in Anne’s household, George Brooke, 9^th Baron Cobham, advice on the correct method for the confinement and ensuing ceremonies. A general procedure had been followed for generations, and it was unlikely that Henry VIII would jeopardize the successful birth of his male heir by altering the steps in any way. That is why the speculation that Henry kept Anne from her confinement in order to dupe the general population about the date of conception does not make sense.

George Brooke, 9th Baron of Cobham and Queen Anne’s Lord Chamberlain

Once a woman entered her lying-in chamber, it was a signal that she did not expect to have her child for about a month. Anne gave birth within two weeks. How and why could there be such a miscalculation? Retha Warnicke speculates that Henry took advantage of Anne’s good health in the summer of 1533 and delayed her entry to her chamber. He wanted to confuse people over the delivery date to convince them that the child had been conceived during the time of their marriage (Warnicke 164). Would Henry do that? Would he risk the health of his male child in such a way? I do not think so. Would he encourage people to assume the date of their wedding was earlier than it was? Probably.

Chronicler Edward Hall insisted that Henry and Anne married on 14 November 1532 on “sainct Erkenwalds daie” and managed it to be “kept so secrete, that very fewe knewe it, til Builyne she was greate with child, at Easter after” (Hall 794). Other sources state the wedding was on 25 January 1533. Eric Ives speculates that the earlier date was used much afterwards to protect Elizabeth’s reputation against being born out of wedlock. If a compromise theory is believed, a commitment ceremony could have been held in November that would “stand up in canon law– espousals de praesenti before witnesses which, if sealed by intercourse, would have been canonically valid …” (Ives 170). Henry would have then held another ceremony, before a priest, in January once it was obvious Anne was pregnant: or could the mid-wives and physicians have underestimated the delivery date? We will never know. What we do know is that on “vii day of September being Sondaie, between thre and foure of the Clocke after noone, the Quene was delivred of a faire lady” (Hall 805).

The fact that the child was a girl was a shock to her parents so sure they were that they would have a son. Tradition tells us that Henry responded appropriately to Anne by saying that all was well since they were both young “by God’s grace, boys will follow” (Weir, pg. 258). Immediately following the birth, a Te Deum was sung and “great preparacion was made for the christening” with the Mayor of London, Stephen Peacock, and chief citizens “commaunded to bee at the Christenyng, the Wednesdaie folowyng” in all of their finery went by barge to Greenwich. “All the walles betwene the Kynges place and the Friers, were hanged with Arras, and all the waie strawcd with grene” the Observant Friars Church was also hung in tapestries. The font was “of siluer, and stoode in the midles of the Churche, three steppes high, whiche was couered with a line clothe … oner it hong a square Canape of crimosin Satten, fringed with golde” and in an area close by was a brazier with a fire in it to keep the child warm. When “al these thynges wer ordered, the child was brought to the hall,” followed by members of Court with “the Erie of Essex, bearyng the couered Basins gilte, after hym the Marques of Excester with taper of virgin waxe, next hym the Marques Dorset, bearyng the salt, behynd-hym the lady Mary of Norffolk, bearyng the cesom whiche was very riche of perle & stone, the old Duches of Norffolk bare the childe” (Hall 805). The child wore, in addition to a christening robe heavy and stiff with gold embroidery…a royal mantle of purple velvet and miniver, with a train so long that it was borne up by a lady and two gentlemen (Tytler 2).

Portrait identified as Frances Brandon Grey, Marchioness of Dorset, Duchess of Suffolk

An enthusiastic Hall continues to describe the scene as the Duke of Norfolk walked to the right of the baby, the Duke of Suffolk to the left and the Countess of Kent bore the train along with other noble ladies. The baby’s uncle, Lord Rochford and three others carried a canopy over her. When “the child was come to the churche dore, the bishop of London met it with diverse bishoppes and Abbottes mitred, and began the observances of the Sacrament” (Hall 806).

One godmother was the baby’s cousin, Frances Brandon, Marchioness of Dorset; the other, who carried the child, was her great-grandmother, Agnes, Dowager Duchess of Norfolk, the godfather was Archbishop of Canterbury, Thomas Cranmer. The Bishop of London John Stokesley, assisted by other clergy performed the ceremony (Tytler 2). The “childe was named Elizabeth: and after that al thyng was done, at the churche dore the child was brought to the Fount, and christened” (Hall 806).

Agnes, Dowager Duchess of Norfolk

We are told that the Garter Chief King of Arms then proclaimed “God of His infinite goodness, send a prosperous life and long, to the high and mighty princess of England Elizabeth” (Strickland 4). Next Elizabeth was confirmed as part of the extended ceremony. Afterwards servants brought in “wafers, comfits and hypocras in such plenty that every man had as much as he would desire” (Somerset 4). “Then they set forwardes, the trumpettes goyng before in thesame ordre, towarde the kynges place, as they did when they came thether warde, … and in this ordre thei brought the princes, to the Quenes chamber (Hall 806). With Henry VIII in attendance, Queen Anne received her child back while Londoners rejoiced with Court supplied wine and bonfires in the streets but no jousts or fireworks—this was a princess not a prince. Publically Henry continued to reassure that the princess was not a disappointment. Privately, as reported by a gleeful Eustace Chapuys, Spanish Ambassador, the birth was a “great regret both of him and the lady, and to the great reproach of the physicians, astrologers, sorcerers, and sorceresses, who affirmed that it would be a male child. But the people are doubly glad that it is a daughter rather than a son, and delight to mock those who put faith in such divinations, and to see them so full of shame” (Gairdner VI 1112).

How could the predictions go so wrong?

Besides soliciting physicians’ opinions on the sex of the child, astrologers and soothsayers were also consulted. Only one did not predict a son. William Glover wrote to Queen Anne of a vision he had in which she gave birth to a “woman child” and he instructed she “should be delivered of your burden at Greenwich” (Gardiner VI 1599).

Physicians “studied astronomy, astrology, geometry, mathematics, music and philosophy” in the 16th century. “The Tudors believed strongly in the divine plan …. Fate, fortune and goodwill might cure” (Hurren). Included in the studies of sciences, astrology was certainly compatible with religion at this time. Astrology was considered a way to understand God’s plan. Henry VIII received predictions that the child Anne was carrying was a boy—there was no reason to doubt that. God had punished Henry for co-habitating with his brother’s wife, Catherine of Aragon, against the teachings of Leviticus, by not granting living male children to that union. Surely, he could not have misinterpreted the signs of the divine will to divorce Catherine. Sons would come from his union with Anne.

Henry VIII’s astrolabe made for him by Bastien le Seney, royal clockmaker

References to prophecies and predictions were accepted at the time as were the “astrological superstitions of the generation” (Tytler 2). In one of his love letters to Anne, Henry showed a “personal interest in astrology: in attempting to dispel her fears about their forced separation” (Warnicke 165).

“I and my heart put ourselves in your hands. Let not absence lessen your affection; for it causes us more pain than I should ever have thought, reminding us of a point of astronomy that the longer the days are, the further off is the sun, and yet the heat is all the greater. So it is with our love, which keeps its fervour in absence, at least on our side. Prolonged absence would be intolerable, but for my firm hope in your indissoluble affection. As I cannot be with you in person, I send you my picture set in bracelets” (Brewer).

As Lutheran theologian Philipp Melancthon later said in his dedication to the text, Theological Commonplaces, “Henry is ‘the most learned of kings not only in theology, but also in other philosophy, and especially in the study of the movement of the heavens’. Since the king and his contemporaries held ‘a complex view of conception in which both the physical and spiritual’ were intertwined, he may have been persuaded of the validity of the prophecies about the child’s sex because he had personally done all that was necessary for him to earn and to merit a divine blessing in the form of a son” (Warnicke 165).

Theologian, Philipp Melancthon

Theological Commonplace, 1535 which had the dedication to Henry VIII.

“Anne’s skeptical attitude toward the most superstitious of them must have been well-known” as John Foxe later discussed it (Warnicke 165). Foxe recounted a story that implied Anne’s “true faith …for when king Henry was with her at Woodstock, and there, being afraid of an old blind prophecy, for which neither he nor other kings before him durst hunt in the said park of Woodstock, nor enter into the town of Oxford, at last, through the Christian and faithful counsel of that queen, he was so armed against all infidelity, that both he hunted in the aforesaid park, and also entered into the town of Oxford, and had no harm” (Foxe 136). Popular belief maintained that Henry did abide by the use of prophecies.

John Foxe

Certain the child would be a boy, Henry and Anne had selected the names of Edward and Henry and had asked Francis I, King of France to be godfather. In a dispatch to Francis, his Ambassador, Jean de Dinteville, The Bailly of Troyes*, explains how he had been asked to “hold at the font the child of which the Queen is pregnant, if it is a boy” (Gairdner VI 1070).

As an aside, de Dinteville (also as known as d’Intevile Polizy) “chevalier Sieur de Polizy, near Bar-sur-Seyne, Bailly of Troyes who was Ambassador in England for King Francis I in the years 1532-1533” was identified in the late 19^th century as one of the sitters in the Ambassadors painting by Hans Holbein (Hervey 12). Without going into extreme detail, the clues in the painting confirmed what Hervey discovered on a fragment of manuscript. An example would be the seigneurie, an area of manorial influence that de Dinteville held, was Polizy in Burgundy shown on the globe in the painting (Hervey 8).

Jean de Dinteville, French Ambassador

The Ambassadors by Hans Holbein, 1533
Jean de Dinteiville and Georges de Selve

There is no record of whether or not Francis I felt any sympathy for Henry’s disappointment but it was clear he would not be asked as godfather for a princess’s baptism. While de Dinteville showed his “complete allegiance to the Crown of France” (Hervey 41), being ready to fill whatever office would be required even for a princess, his Spanish counterpart, Eustace Chapuys, was interpreting the birth of a daughter to Henry as the divine will that “Misfortune manages well; and God has forgotten him entirely, hardening him in his obstinacy to punish and ruin him” (Gairdner VI 1112).

King Francis I of France

After the ceremony de Dinteville exclaimed “the whole occasion was so perfect that nothing was lacking” (Hibbert 14). Chapuys concluded “the christening has been like her mother’s coronation, very cold and disagreeable both to the Court and to the city, and there has been no thought of having the bonfires and rejoicings usual in such cases. After the child was baptised, a herald in front of the church-door proclaimed her princess of England (Gairdner VI 1125).

Eustace Chapuys, Spanish Ambassador

Prior to the christening, Chapuys claimed that the child would “be called Mary, like the Princess; which title, I hear in many quarters, will be taken from the true princess and given to her” (Gairdner 1112). He had to retract saying “the daughter of the lady has been named Elizabeth, and not Mary” (Gairdner 1125). Obviously, the child was named for her two grandmothers, Elizabeth of York and Elizabeth Howard.

So sure were the parents that the child would be a boy, official announcements, which were to be sent throughout the realm and to the Courts of Europe from the Queen listed the child as a prince. One such letter is preserved written to Lord Cobham, Anne’s Chancellor informing him of the birth at Greenwich on 7 September during the 25^th year of the reign of Henry (Gairdner VI 1089). An ‘s’ was added to the word prince (see the facsimile below—the first is in the third line, center also shown in an enlargement—and secondly in the final sentence) which would have altered it enough in the 16^th century to signify the word princess.

Letter of Lord Cobham– the area with the ‘s’ insertion is enlarged below. A transcription is also included.

By the Quene
Right trustie and welbiloved, we grete you well. And where as it hath pleased the goodnes of Almightie God, of his infynite marcie and grace, to sende unto us, at this tyme, good spede, in the delyveraunce and bringing furthe of a Princes, to the great joye, rejoyce, and inward comforte of my Lorde, us, and all his good and loving subjectes of this his realme; for the whiche his inestymable benevolence, soo shewed unto us, we have noo litle cause to give high thankes, laude, and praising unto oure said Maker, like as we doo mooste lowly, humbly, and with all the inwarde desire of our harte. And inasmuche as we undoubtidly truste, that this oure good spede is to your great pleasure, comforte, and consolation, We, therefore, by thies our letters, advertise you thereof, desiring and hartely praying you to give, with us, unto Almightie God, high thankes, glorie, laude, and praising; and to praye for the good helth, prosperitie, and contynuall preservation of the said Princes accordingly. Yeven under our Signet, at my Lordis Manour of Grenewiche, the 7 day of September, in the 25th yere of my said Lordis reigne.
To oure right trustie and welbiloved, the Lorde Cobham.

During a lecture at the Newberry Library in Chicago on November 22, 2003, David Starkey stated that the most important document in Elizabeth’s life was the letter announcing her birth. The Tudor Court needed a male heir. Society held the attitude that a woman would not be able to hold public office and have influence.

Anne Boleyn had disappointed Henry and the kingdom. Everyone was yet to see the significance of the life of this child that began with such an unpleasant shock yet would produce a ruler with “the body of a weak and feeble woman …but the heart and stomach of a king, and a king of England too” (Marcus 326).

*The bailly was a French “Crown officer in whose name justice was administered throughout a certain district” (Hervey 38),

References

Brewer, J.S. (editor). “Henry VIII: July 1527, 1-10.” Letters and Papers, Foreign and Domestic, Henry VIII, Volume 4: 1524-1530 (1875): 1465-1477. British History Online. Web. 02 June 2013.

Denny, Joanna. Anne Boleyn: A New Life of England’s Tragic Queen. Cambridge, MA: Da Capo, 2006. Google Books. Web. 7 June 2013.

Doran, Susan. Henry VIII: Man & Monarch. London: British Library, 2009. Print.

Eakins, Laura. “Elizabeth Birth Announcement.” TudorHistory. Google+Page, n.d. Web. 2 June 2013.

Elton, G. R. England Under the Tudors. Third ed. London: Routledge, 1991.

Erickson, Carolly. The First Elizabeth. New York: Summit Books. 1983. Print.

Foxe, John. The Acts and Monuments of John Foxe: A New and Complete Edition. Ed. Stephen Reed Cattley, M. A., Rev. Vol. V. London: R.B. Seeley and W. Burnside, 1837. Google Books. Web. 4 June 2013.

Fraser, Antonia. The Wives of Henry VIII. New York: Alfred A. Knopf, 1992. Print.

Gairdner, James (editor). “Henry VIII: Miscellaneous, 1533.” Letters and Papers, Foreign and Domestic, Henry VIII, Volume 6: 1533 (1882): 449-466; 653-680. British History Online. Web. 02 June 2013.

Hall, Edward, Henry Ellis, and Richard Grafton. Hall’s Chronicle; Containing the History of England, during the Reign of Henry the Fourth, and the Succeeding Monarchs, to the End of the Reign of Henry the Eighth, in Which Are Particularly Described the Manners and Customs of Those Periods. London: Printed for J. Johnson and J. Rivington; T. Payne; WIlkie and Robinson; Longman, Hurst, Rees and Orme; Cadell and Davies; and J. Mawman, 1809. Internet Archive.org. Web. 2 Jan. 2013.

Hervey, Mary F. S., and Hans D. J. Holbein. Holbein’s ‘Ambassadors’, the Picture and the Men. London: G. Bell & Sons, 1900. Google Books. Web. 13 June 2013.

Hibbert, Christopher. The Virgin Queen: Elizabeth I, Genius of the Golden Age. New

York: Addison-Wesley Publishing Company, Inc., 1991. Print.

Hurren, Elizabeth T., Dr., Senior Lecturer History of Medicine Oxford Brookes University. “Henry VIII’s Medical World.” Henry VIII’s Medical World. Wellness Trust at Oxford Brookes University, n.d. Web. 7 June 2013.

Ives, Eric. The Life and Death of Anne Boleyn: The Most Happy. Oxford: Blackwell Publishing, 2004. Print.

Lindsey, Karen. Divorced, Beheaded, Survived: A Feminist Reinterpretation of the Wives of Henry VIII. Reading, Massachusetts: Addison-WESLEY Publishing Company, 1995. Print.

Marcus, Leah S. et al., eds. Elizabeth I: The Collected Works. Chicago: University of Chicago Press, 2002. Print.

Nichols, Francis Morgan. The Hall of Lawford Hall: Records of an Essex House and of Its Proprietors,. London: Printed for the Author, 1880-1890, and Sold by Ellis and Elvey, 1891. Google Books. Web. 4 June 2013.

Ridgway, Claire. The Fall of Anne Boleyn: A Countdown. UK: MadeGlobal Publishing, 2012. Print.

Somerset, Anne. Elizabeth I. New York: Alfred A. Knopf, 1991. Print.

Starkey, David. Elizabeth: The Struggle for the Throne. New York: HarperCollins Publishers. 2001. Print

Starkey, David, Dr. “Queen Elizabeth and Her Court.” Elizabeth I: Ruler and Legend. Newberry Library, Chicago. 22 Nov. 2003. Lecture.

Starkey, David. Six Wives: The Queens of Henry VIII. London: Chatto & Windus, 2003. Print.

Strickland, Agnes. The Life of Queen Elizabeth, London: J.M. Dent &, 1906. Google Books. Web. 3 June 2013.

THECREATIONOFANNEBOLEYN. “Anne and Elizabeth: Consulting the Stars for Elizabeth’s Birth.” Web log post. Semper Eadem. WordPress.com, 28 Aug. 2011. Web. 2 June 2013.

Tytler, Sarah. Tudor Queens and Princesses. New York: Barnes and Noble, 1993. Print.

Warnicke, Retha. The Rise and Fall of Anne Boleyn: Family Politics at the Court of Henry VIII. Cambridge: Cambridge University Press, 1989. Print.

Weir, Alison. The Lady in the Tower: The Fall of Anne Boleyn. London: Jonathan Cape, 2009. Print.

Weir, Alison. The Six Wives of Henry VIII. New York: Grove Weidenfeld, 1991. Print.

Whitelock, Anna. Mary Tudor: Princess, Bastard, Queen. New York: Random House, 2009. Print.

The Second Step-Mother to Elizabeth, Anne of Cleves

Posted on May 23, 2013 by jodmcp

The Second Step-Mother to Elizabeth, Anne of Cleves

After the death of Jane Seymour, Henry began negotiations with European Royal houses. Henry was still Catholic in the sense that he did not agree to reforms in the services of worship. In 1539 he had the Act of Six Articles drawn up which kept the traditional church teachings, especially the doctrine of transubstantiation. His advisors such as Cromwell and Cranmer did not relish a Catholic bride and steered Henry toward the Protestant countries and dukedoms. The Duke of Cleves was a mild Protestant and had two unmarried sisters. Anne was the ‘lucky’ bride. She was married to Henry in January 1540 and divorced six months later in July.

Henry VIII illustrated on his Marriage Proclamation to Anne of Cleves, January 5, 1540.

Tradition has passed down that Anne was so disgusting to Henry that he declared after first meeting her that “I like her not”. Anne gets an unjustified description as ‘The Flanders mare’. She was not as unattractive (we will not delve into the issue of painting by Hans Hoblein) as Henry’s supporters and biographers make out (for evidence consult the individual biographies referenced below). Their first meeting did not go well and Henry could not overlook her response. He projected his shortcomings onto her. What had happened was, Henry full of romantic ideas of surprising his bride, entered her presence shortly after her arrival on the shores of England, disguised as a messenger. Anne spoke few words of English, her ladies in waiting were complete foreigners, and no one advised her about Henry’s preference for masquerades which included coming upon ‘unsuspecting’ Courtiers in disguise. Startled by this muddied, elderly messenger acting very familiarly to her, Anne responded coldly and not with the delighted surprise Henry expected.

The (in)famous Hans Holbein Painting, 1539

Miniature attributed to Hans Holbein, 1539

Attributed to Barthel Bruyn, 1540s

Not her features but perhaps the whole package was deemed lacking by Henry—a man captivated by the accomplishments Anne Boleyn learned at the Court of France. Anne of Cleves, on the other hand, was reared to be a practical companion to a man with position and power, her talents of intelligence and common sense lent themselves to being a successful housewife. Dancing, playing musical instruments, and speaking in foreign languages would not have been part of her upbringing. Was she unattractive? That debate we will leave behind. This blogger believes Anne was probably attractive but “had no accomplishments whatever” that Henry found so necessary (Strickland 410).

Ceremonial bedhead created for the marriage of Henry and Anne

According to Gregorio Leti, an Italian historian writing in the late 1600s with access to documents that have since disappeared, Elizabeth wrote to her father about this time asking for permission to meet her new step-mother, Anne of Cleves.

I would like to caution us to accept Leti’s work with a touch of reserve. Mary Anne Everett Wood, a later historian, reminds us “the originals have perished, or are no longer accessible” (Wood 14). Leti would have translated his sources into his native Italian and the only text available of his work is itself a French translation published in Amsterdam in 1694 titled, La Vie d’Elizabeth, reine d’Angleterre. This work was supposedly suppressed in England by royal authority. The letter, which has no date or signature, written when Elizabeth would have been a little over six years old is below.

Madame,—I am struggling between two contending wishes—one is my impatient desire to see your Majesty, the other that of rendering the obedience, I owe to the commands of the King my father, which prevent me from leaving my house till he has given me full permission to do so. But I hope that I shall be able shortly to gratify both these desires. In the meantime, I entreat your Majesty to permit me to show, by this billet, the zeal with which I devote my respect to you as my queen, and my entire obedience to you as to my mother. I am too young and feeble to have power to do more than to felicitate you with all my heart in this commencement of your marriage. I hope that your Majesty will have as much good will for me as I have zeal for your service. (Queen Elizabeth I 21)

Anne showed the letter to the king and he would not let Elizabeth come to court. Henry “took the letter and gave it to Cromwell” ordering him to write a reply. “Tell her,” he said brutally, “that she had a mother so different from this woman that she ought not to wish to see her” (Weir 408). Whether or not the story is true, Henry did not withhold permission for long as Elizabeth was eventually brought to Court from Hertford Castle to meet Anne.

Leti reports that “Anne of Cleves, when she saw Elizabeth, was charmed by her beauty, wit and …that she conceived the most tender affection for her. Anne claimed that to have had Elizabeth “for her daughter would have been greater happiness to her than being queen” (Strickland Life of Queen Elizabeth I 15). This sentiment should not be diluted by the fact that Anne was queen for only six months.

When Henry could not evade the wedding, he became determined to divorce Anne as soon as he could. According to Martin Hume, when confronted about a previous marriage (a pre-contract to the Duke of Lorraine has been mentioned in many biographies but no marriage so I take this with a grain of salt) Anne replied, “Please your Majesty, it is true I was espoused to him, but when the Duke spoke to me about marrying your Majesty, he told me my husband was dead, and I know nothing more about it” (Hume 93). Hume continues that Henry, angry at the Duke of Cleves for giving him a married woman, called together his Council for advice on what to do. The Council recommended a divorce and agreed he should make an allowance for Anne to live on after their marriage was dissolved. “The lady took it pleasantly enough” (Hume 95).

Rare document with the signature “Anna the Queen”

Most signatures are “Anna the Daughter of Cleves”

When the “conditions of her divorce were arranged, she (Anne) requested, as a great favour, that she might be permitted to see her (Elizabeth) sometimes” (Strickland Life of Queen Elizabeth I 15). Henry agreed as long as Elizabeth addressed her as Lady Anne instead of Queen Anne (Lindsey 156). Anne’s relationships and status were established by that new title.
Upon her divorce Anne retained a position in the family and Court with the status as the King’s Sister. She gained a sizable income “secured on the Cornish tin mines,” (Hume 95) plus lands and properties granted to her “to the value of £3,000* a year” (Strickland 419). Anne was given Richmond Palace, Hever Castle, Penshurst, Dartford Castle, a London residence, plus other estates such as the land-hold in Lewes.

Gate at Richmond Palace

Hever Castle

Anne of Cleves House in Lewes, now a museum

Anne experienced considerable freedom and it appears as if she bore the loss of her husband quite cheerfully. She enjoyed her life in England learning to dance and play music, hunting, dressing in fine clothes and having a pleasant relationship with Henry.

Her amiableness is shown in her dedication to Henry in the Book of Hours, Salisbury 1533 “I beseche your grace huble when ye loke on this rember me. Yor graces assured anne the dowther off cleves” (Anne of Cleves). In the modern translation: “I beseech your grace humbly when you look on this remember me. Your grace’s assured Anne the daughter of Cleves.”

Dedication in the Book of Hours in Anne’s handwriting. She gave this to Henry as a gift.

A decorated and illuminated page in the Book of Hours, Salisbury

This daughter of Cleves did have quite a unique status not only in England but in the scene of international politics. Many could not define if she was free to marry and her brother put out feelers once in a while to consider her return to Cleves or create clarity in her position. What I found interesting was the diplomatic dispatch, reprinted below, which the French Ambassador, Charles de Marillac, to the English Court sent to his king concerning the inquiry made by the Duke of Cleves after the arrest of Catherine Howard, the fifth wife of Henry VIII.

William, Duke of Cleves

December 16, 1541 Marillac to Francis I
Told by the ambassador of Cleves that, upon letters of credence from his master, he sought to speak with this King about lady Anne, but as the King’s grief did not permit it he yesterday went before the Council and, after declaring his master’s thanks for the King’s liberality to his sister, prayed them [to find] means to reconcile the marriage and restore her to the estate of queen. They answered, on the King’s behalf, that the lady should be graciously entertained and her estate rather increased than diminished, but the separation had been made for such just cause that he prayed the Duke never to make such a request. The ambassador asking to have this repeated, Winchester, with every appearance of anger, said that the King would never take back the said lady and that what was done was founded upon great reason, whatever the world might allege. The ambassador dared not reply, for fear that they might take occasion to treat her worse; but came to tell Marillac, because his master wrote that they would beg Francis to intercede. Thinks there are two courses open, either to intercede so dexterously as not to show that it is done with authority, and thus frighten the English into a league with the Emperor, or else to say nothing about it. London, 16 Dec. 1541. (Gairdner XVI 678)

After Henry’s death, the financial situation of Anne of Cleves did change and there was talk of her returning to Cleves. This, of course, came to nothing as she was at Court for Edward and Mary’s rule.

St. Augustine’s Abbey, Canterbury. Anne and Elizabeth spent a great deal of time here.

Throughout Mary’s reign, Anne and Elizabeth were often seen together. Starting on 30 September 1553 when they rode in a carriage during Queen Mary’s coronation procession. They were together at the state banquet later too. “The two of them sat together at the end of the table, Elizabeth now heiress-presumptive to the throne, and Anna of Cleves’ precedence moved up to that of the third lady in the land” (Fraser 409).

Although “Madam of Cleves always paid great honour to Madam Mary” (Hume 92), Anne did create controversy when she joined Elizabeth in not attending the Catholic Mass during the early part of Mary’s reign. The Queen had words with Anne and she afterwards did attend services (Ridley 47). Being so close to the same age, one could imagine how Anne and Mary could get along, but it was with Elizabeth that Anne shared the most affection until the day she died, 16 July 1557 at Chelsea Manor.

Tomb of Anne of Cleves at Westminster Abbey

Anne’s last will and testament was not as bountiful as commentators would have expected. She did leave some items to her step-daughters. To Elizabeth she left some jewels with the hope that one of her ladies-in-waiting, Dorothy Curson, could join the younger woman’s household.

Anne’s influence may have extended further than imagined to the unmarried state of Elizabeth. Somerset implies that witnessing her father’s distaste and rejection of Anne of Cleves and her brother-in-law Philip’s lack of respect and attraction for Mary, Elizabeth did not want to experience the same thing herself. So as queen Elizabeth supposedly told Count Feria, the Spanish Ambassador, that she had “taken a vow to marry no man whom she has not seen, and will not trust portrait painters” (Somerset 92).

*The equivalent of £3,000 in 1540 would be worth £1,508,000 in 2010 currency of the retail price index. This was calculated using the website, Measuring Worth.com.

References

“Anne of Cleves’s Book of Hours.” -Folger Shakespeare Library. Folger Shakespeare Library, n.d. Web. 8 May 2013.

Elton, G. R. England Under the Tudors. Third ed. London: Routledge, 1991. Print

Erickson, Carolly. The First Elizabeth. New York: Summit Books. 1983. Print.

Fraser, Antonia. The Wives of Henry VIII. New York: Alfred A. Knopf, 1992. Print.

Gairdner, James and R. H. Brodie (editors). “Henry VIII: December 1541, 11-20.” Letters and Papers, Foreign and Domestic, Henry VIII, Volume 16: 1540-1541 (1898): 671-681. British History Online. Web. 12 May 2013.

Gairdner, James and R. H. Brodie (editors). “Henry VIII: January 1542, 1-10.” Letters and Papers, Foreign and Domestic, Henry VIII, Volume 17: 1542 (1900): 1-9. British History Online. Web. 12 May 2013.

Lindsey, Karen. Divorced, Beheaded, Survived: A Feminist Reinterpretation of the Wives of Henry VIII. Reading, Massachusetts: Addison-WESLEY Publishing Company, 1995. Print.

Neale, J. E. Queen Elizabeth I. Garden City, NY: Doubleday, 1957. Print.

Norton, Elizabeth. Anne of Cleves: Henry VIII’s Discarded Bride. Stroud, Gloucestershire: Amberley Publishing, 2010. Print.

Queen Elizabeth I, Frank Mumby, and R. S. Rait. The Girlhood of Queen Elizabeth: A Narrative in Contemporary Letters. Boston: Houghton Mifflin, 1909. Google Books. Web. 9 May 2013.

Ridley, Jasper. Elizabeth I: The Shrewdness of Virtue. New York: Fromm International Publishing Corporation, 1989. Print.

Saaler, Mary. Anne of Cleves: Fourth Wife of Henry VIII. London: The Rubicon Press, 1995. Print.

Starkey, David. Six Wives: The Queens of Henry VIII. London: Chatto & Windus, 2003. Print.

Strickland, Agnes. Life of Elizabeth, Queen of England, with Anecdotes of Her Court, from Official Records and Other Authentic Documents, Private as Well as Public. New York: Miller, 1903 Internet Archive. Web. 6 May 2013.

Strickland, Agnes, Elisabeth Strickland, and Rosalie Kaufman. The Queens of England, Abridged and Adapted from Strickland’s “Queens of England” Chicago: Werner, 1895. Internet Archive. Web. 4 May 2013.

Weir, Alison. The Six Wives of Henry VIII. New York: Grove Weidenfeld, 1991. Print.

Warnicke, Retha. The Marrying of Anne of Cleves: Royal Protocol in Tudor England. Cambridge: Cambridge University Press, 2000. Print.

Wood, Mary Anne Everett. Letters of Royal and Illustrious Ladies of Great Britain: From the Commencement of the Twelfth Century to the Close of the Reign of Queen Mary : Edited, Chiefly from the Originals in the State Paper Office, the Tower of London, the British Museum and Other State Archives. Vol. II. London: Henry. Colburn, 1846. Google Books. Web. 12 May 2013.

The First Step-Mother to Elizabeth, Jane Seymour

Posted on May 14, 2013 by jodmcp

The First Step-Mother to Elizabeth, Jane Seymour

Bound to obey and serve. That was the motto selected by Jane when she became queen. Was it true or did she know that would be what Henry VIII would want?

Jane had been a lady-in-waiting to Anne Boleyn and her persona does not come to us very clearly via contemporary sources. History has given her to be modest, virtuous, obedient, and accepting. She is seen as solid, pleasant, dignified and calm. She is most often judged neither good nor bad. Sadly, perhaps her character is viewed so positively because of the fact that she produced the longed-for heir and died before Henry became tired of her.

It is not the place here to go into details about Jane Seymour, her courtship with Henry and her death. Nor enter the debate of whether she was spotted by Henry or was selected (fascinating discussion but one not necessary to this blog entry)

Physically we have paintings by Hans Holbein, in her lifetime, and several artists’ work, posthumously, plus the verbal description by the Spanish Ambassador, Eustace Chapuys who determined that “She is of no great beauty, so fair that one would call her pale. The said Seymoure is not a woman of great wit, but she may have good understanding” (Lindsey 119). Historians have given weight to Chapuys’ account since he was not a champion of Anne Boleyn and would have welcomed her fall.

Famous Hans Holbein portrait Unknown painter

That lack of wit but understanding does lead to the supposition that Jane could figure out how to deal with Henry. But how could she not be worried about marring a man who had discarded one wife and killed another? Her understanding had to extend to realizing the possible risk she was taking.

Jane attributed to The English School

Agnes Strickland does not perpetuate the image of the meek and docile bride as “we have so little that is favorable to relate of this queen” (Strickland 408). Although Strickland will give Jane credit for being a discrete, beautiful young woman she does wonder if she was as heartless as her bridegroom. Jane had to know what was happening in the Tower of London to Anne Boleyn while she was planning her marriage to Henry. “The giddiness of youth cannot be pleaded as apology for Jane Seymour’s indecency, for she was no child when she permitted herself to be courted by the royal Bluebeard, and must have been entirely conscious of the enormity of her actions” (Strickland 403). Jane’s actions led to her engagement to Henry the day after Anne’s execution and their marriage 10 days later.

We do know that as a step-mother, Jane treated Mary well and granted her special privileges while Elizabeth “was placed out of sight” (Erickson 31). Her motivation for championing Mary could have been kindness or as some believe social snobbery.

She wanted to have someone of her status at Court. “Now that it hath pleased Your Grace to make me your wife, there are none but my inferiors to make merry withal, Your Grace excepted—unless it would please you that we might enjoy the company of the Lady Mary at court. I could make merry with her” (Lindsey 132, Hume The Wives of Henry VIII 303). Although this does not mesh with Polydore Vergil’s view that Jane was “a woman of the utmost charm both in appearance and character,” it is understood that Mary’s situation improved under Jane (Fraser 235). What of Elizabeth?

Martin Hume reported that, after Queen Jane had brought about the reconciliation between Henry and Mary, she fell to her knees and said, “Your Majesty knows how bad Queen Anne was, and it is not fit that her daughter should be Princess. So the King ordered it to be proclaimed that in future none should dare to call her Princess, but madam Elizabeth” (Hume 72 -73). This was only done after Henry implied that all the harm that had come to Mary, the humiliations and banishments had been from Anne Boleyn. “My daughter, she who did you so much harm, and prevented me from seeing you for so long, has paid the penalty” (Hume 72). Therefore, several days after the wedding, The Lord Chancellor made a speech in Parliament about extolling the King’s virtues but ended “with the information that Anne Boleyn’s daughter was not heir to the throne of England” (Strickland 407). This story appears to come from a Spanish merchant, Antonio de Guaras writing to King Philip II. Many speculate that this was just wishful thinking on the part of the loyal Spaniard.

Elizabeth was not completely banished from Court. She was brought to Court along with Mary when Henry, faced with rebellion, felt it necessary to show a united front. This public relations move was reported by Le Cardinal du Bellay Ambassador to the French Court. He observed that rather than “soften the temper of the people” the peoples’ opinions were so fixed “they think of nothing but liberty. Madam Marie is now the first after the Queen, and sits at table opposite her, a little lower down, after having first given the napkin for washing to the King and Queen. Madame Isabeau (Elizabeth) is not at that table, though the King is very affectionate to her. It is said he loves her much” (Gairdner 346).

When Elizabeth was four, Jane gave birth to Edward. At his baptism at Hampton Court, Mary was a godmother and Elizabeth held the chrisom cloth although she, in turn, was carried by Edward Seymour. As known, Jane died shortly after the birth due to puerperal fever. Mary was chief mourner at Jane’s funeral. Elizabeth did not take part but that was probably due to her age.

Posthumous rendering of Jane with Edward and Henry

References

Elton, G. R. England Under the Tudors. Third ed. London: Routledge, 1991. Print

Erickson, Carolly. The First Elizabeth. New York: Summit Books. 1983. Print.

Fraser, Antonia. The Wives of Henry VIII. New York: Alfred A. Knopf, 1992. Print.

Gairdner, James, ed. Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII. Vol. 11. London: Longman, Green, Longman & Roberts, 1888. Google Books. Web. 4 May 2013.

Hume, Martin A. Sharp. Chronicle of King Henry the Eighth of England: Being a Contemporary Record of Some of the Principal Events of the Reigns of Henry VIII and Edward VI, Written in Spanish by an Unknown Hand ; Translated, with Notes and Introduction, by Martin A. Sharp Hume. London: George Belland Sons, 1889. Internet Archive. Web. 4 May 2013.

Hume, Martin. The Wives of Henry the Eighth and the Parts They Played in History. New York: McClure, Phillips & Co., 1905. Google Books, n.d. Web. 06 May 2013.

Lindsey, Karen. Divorced, Beheaded, Survived: A Feminist Reinterpretation of the Wives of Henry VIII. Reading, Massachusetts: Addison-WESLEY Publishing Company, 1995. Print.

Ridley, Jasper. Elizabeth I: The Shrewdness of Virtue. New York: Fromm International Publishing Corporation, 1989. Print.

Perry, Maria. The Word of a Prince: A Life of Elizabeth from Contemporary Documents. Woodbridge, Suffolk: The Boydell Press, 1990. Print.

Ridgeway, Claire. The Fall of Anne Boleyn. UK: MadeGlobal Publishing, 2012. Print.

Somerset, Anne. Elizabeth I. New York: Alfred A. Knopf, 1991. Print.

Starkey, David. Six Wives: The Queens of Henry VIII. London: Chatto & Windus, 2003. Print.

Warnicke, Retha. The Rise and Fall of Anne Boleyn. Cambridge: Cambridge University Press. 1998. Print.

Weir, Alison. The Six Wives of Henry VIII. New York: Grove Weidenfeld, 1991. Print.

elizregina

Elizabeth I Regina

Tag Archives: Hans Holbein

Elizabeth Regina: Her Mother’s Memory

Said it, Believed it, Lived it

Announcing Elizabeth’s Birth

The Second Step-Mother to Elizabeth, Anne of Cleves

The First Step-Mother to Elizabeth, Jane Seymour